Anyone else remember Oculus Orbus; the giant sickening bloodshot eyeball from the Madballs toyline? I can’t help but to be reminded by looking at this album cover. With nasty song titles like the soon to be a favorite scent at Yankee Candle, “Menstrual Blood and Pommegrenate, ” Teitan has a few more things in common with the gross out 80s property.
While the foundation of this album is rooted firmly in shocking Black Metal foundations there is plenty more to be heard at its core. At many points the sounds within feel experimental at first but develop for as you listen. It’s a moody listen with plenty of shifts and changes. There are plenty of shrieking vocals and savage guitar tones to keep the purists happy.
Teitan does seem to like to experiment in how far and hard they can take the vocals. In times the vocals feel like they are made to be jarring just for the sake of jarring. While this is definitely isn’t for everyone, it’s this kind of experimentation that make Teitan interesting,
The instrumental arrangements are were this album really shines. Unlike the vocals the synths seem to made for a different audience. Its weird, it’s strange but it is accessible. Synth tones go from dronning to haunting to catchy.
Teitan is out there trying something different and for that reason alone it’s worth checking out.