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Into the Darkness Festival – Interview with Thomas Haywood

The Into the Darkness Festival is shaping up to be one one helluva can’t miss event. With some of the best bands in extreme metal attending this 2 day event in the coolest bowling alley outside Kingpin (no word yet if Bill Murrary will be in attendance) make sure to keep your calendar clear July 29-30th and start making your travel plans. This is one event you can’t afford to miss!

Festival organizer and founder of Redefining Darkness Records and Seeing Red Records and all around cool dude,Thomas Haywood,took a few moments to talk to us about this amazing show.

Trve Kvlt Coffee: You have 2 different record companies, Redefining Darkness Records and Seeing Red Records. How did you get started?

 

Thomas Haywood: My background is, I’m a musician first. I actually went to school for music in Los Angeles at the Musician’s Institute. Then I was trying to get gigs, I auditioned for tons of bands, then I ended up moving to Cleveland and one of my good friends had gotten a gig with Abigail Williams who were on tour with Dark Funeral and Enslaved at the time. After that tour the band broke up and my friend was continuing to play with the main songwriter Abigail Williams. They ended up doing something new and brought me into the fold into what would become Born of Fire. We got signed to Roadrunner records. The album never came out. They gave us an offer, “We can put out your album in 2 years or we’ll release you (from the contract) right now and give you this money.” We didn’t want to wait around so we took the money. We continued Abigail after that because they were still getting offers, so I toured with them for the next 2 years and did the album Shadow of a Thousand Suns

 

I gave up the touring life, I had already been married and we were having our first kid. I missed the first 3-4 months of my daughter’s life, so after that we decided I wouldn’t tour anymore. Then life changed, got divorced, had another kid, so I took a break from everything and focused on my life. Once things were settled in my life and things started getting good again, I had always had my foot in the door. I had done some writing with Aborted and started writing for a UK blog called All About the Rock doing some extreme metal reviews and started doing some more podcast based stuff. In doing so and reviewing all of these bands and all of the people that I have met on the road who were sharing their projects with me. I thought, man I kinda have all of this at my fingertips and the thing I had not done yet was being on the business side of music. I was like, Why don’t I try to release this stuff?

 

The other half of that was empowering artists, something I didn’t have when we were signed to  Roadrunner. I wanted to put power back into musicians’ hands, I believe all song writers should own their own music, their own publishing and that sort of thing. That was the main reason for starting the labels. I started them in 2015.

 

A lot of people ask me, “Why 2?” I ask myself that question a lot as well. At the time I was doing some research and one of the labels that was on the rise was Dark Descent. All of these niche labels were doing well, all these labels that catered to one style, the fan base was built in. If you like one band you’re almost guaranteed to like the next band. Dark Descent was kind of doing the same thing at the time, so I thought, “I love extreme and death metal,” So I’ll keep that on one side. I love so much music; post punk, goth, industrial, hard core that I still need an outlet for that stuff. If there is a band I believe in, a band I want to support, I still want to have an avenue for that. That’s where Seeing Red Records came from.

 

TK: Looking at the lineup for the Into the Darkness Fest, it looks incredible. I mean you have veterans like Macabre and Deceased. Then you have some relative up and comers like Imperial Triumphant and a ton of other bands. How long has this show been in the works?

 

TH: This past July was when I first got in touch with the venue. First I wanted to find a location. The venue is in Youngstown (Ohio). Youngstown is only known for a couple of things. It was Murderville, USA because it is the main artery that cuts through Pennsylvania to New York, it’s kind of the gateway from New York to Chicago. There was a lot of mob running, like a hub. There was a lot of bombings, people killing each other, that kind of thing. They have this great venue, Westside Bowl, I think it’s 30,000 square feet. It is enormous, it’s like a city block, tons of ample parking, tons of room for bands. The area has great park systems for people who want to hike and that sort of thing. It’s done by the same guys who developed Central Park in New York. There are great breweries that are popping up everywhere and Youngstown is no exception to that. There is Nobel Creature which is really close and we are tying into it and not far from there is Cloven Hoof, they are coming down and taking part. We are trying to get the community involved into it as well. 

 

I had finally come across Westside Bowl, someone had recommended them to me, so I gave the owner a call based on that recommendation and finally met him in October. We pretty much locked it in then. So it’s been going on for a while, not quite a year in advance but not quite far off. 

 

TK: It’s refreshing to hear that this is a show that was recently planned and not something that kept getting pushed and rescheduled due to Covid. 

 

TH: We didn’t really schedule anything, it was just more of a conversation. Some venues want you to rent the venue out, some want to participate and they were very great. Nathan, the owner and his wife, were super receptive. They want to do more, they want to be involved and more things and become a destination so that bands want to play Youngstown. It’s going to take them some time to build it but if we can help each other, that’s kind of the goal there.

 

TK: I was checking out the venue online and I already want to go! The bowling, pickle pizza, it definitely sounds like a cool and unique venue. I think when the word gets out about this venue, more people will come out to shows.

 

TH: I think they will be surprised. “This is a bowling alley?” Yes, it’s definitely a bowling alley. The intention of the owners is that they always wanted a venue first. The bowling alley actually saved them, especially when Covid hit. When all the other venues had to close, they still had the bowling alley. People were allowed to come in, bowl and mask up. They didn’t lose revenue because they couldn’t do shows. They were able to keep the lights on and keep people employed. So that was a saving grace for them but their goal was never to own a bowling alley. They happened upon a venue that combined these things. I think the pictures are great (online) but they really don’t do it justice. When you walk in you’re like, “Oh shit!” The stage is legit! It is enormous! I wasn’t sure how the sound would be in a bowling alley being that it is so open, but the way bowling alleys are designed is that they are super insulated with all sorts of sound proofing. If you look at the ceiling of a bowling alley it’s contoured kind of strange and the way the sound travels is that when the pins are hit, the sound hits the bowler. So it’s the same with the sound coming from the stage, they didn’t do anything to that ceiling so the sound kind of rolls in a way where it hits the listener in the chest. They had Aretha Franklin’s sound guy set up their system and it sounds amazing! Fuckin’ high quality sound!I was completely shocked the first time I saw a show there. Blown away.

 

TK: Sound is one of the most important parts of the show. Sometimes you’ll be at a venue that may have been repurposed and the sound is just terrible. 

 

TH: Not just the sound but they didn’t skimp on any part of the presentation, amazing lighting rigs as well. I think they can fit 1000 in the main room and I think a 250-300 cap in the other room. Plenty of room for merch and the crowd. The fact that they have 2 stages, they have arcade games, bowling, they have food in house, another bar if you want to get away from the music, they have a giant patio outside. There is just so much to do there. We are going to try to keep people there, keep them engaged so that no one is ever bored. 

 

TK: This sounds like such a killer event. So you are going to utilize the 2 stages?

 

TH: Yes. We are going to go back and forth, never on top of each other, we are going to literally go from one stage to the next. I was able to include more bands that way. I think it benefits the show to have both of those stages.

 

TK: I like hearing that there is no overlapping of bands. There is nothing worse than being at a festival and your favorite bands are playing at the same time and you are forced to make a difficult decision on who to see. 

 

TH: Exactly. Ironically, I just met Obituary for the first time on this last run they did in Cleveland. I went to hang out with a good friend of mine, Gus Rios from Gruesome. It just so happened their tech for that tour was Mike Hamilton, who also drums for Exhumed and Deeds of Flesh. He just has so much experience and has been doing this for so long not only in his own bands but teaching for some of these bigger bands. He actually lives up here now, 5 minutes from my house which I had no idea! We talked about it and he’s going to be home in July, so I hired him to be my stage manager! For this whole back and forth stage thing I have a super pro guy who will run it with hopefully no overlap.

 

TK: That’s incredible! Is this show something that you are possibly looking at putting on as an annual event? 

 

TH: That all depends on what happens this year, right? (laughs) The first time you never really know and I’ve never done anything like this before and I’m just getting into crunch time promotion. We just did a full page ad in Decibel and it’s in the issue before their Beer and Metal Festival, so it will be available there. The ad features all of our sponsors like Trve Kvlt Coffee, so thank you Trve Kvlt! That was kind of the first step into the major promotion push. Decibel will be doing a piece as well leading up to the show, we got Death Comes Lifting, then will probably do some Google Ad targeting. Anyone reading this, if they have some friends or may want some flyers, I can either send the file or send you money to print them or try to mail you some stuff to hand out at shows. We are trying to get people from all over anyway we can. We are keeping the price super cheap. It’s $30 for a 2 day pass, I don’t think you can get much cheaper than that. Just find a way to get here! We’ve also set up group rates with hotels. Go to Intothedarkness.com and scroll down to the ticket sales area. I think one link takes you to the group rate and the other one you have to call and ask for the group rate. I’m looking into a shuttle to go between the hotel and venues. People are buying merch or maybe they want to go back and rest, hopefully the shuttle will be on a half hour cycle. Just trying to make it as easy as possible for people when they get here. 

 

TK: I hope the show does well. We recently had news that it looks like the Maryland Deathfest may be finished after this year. I think someone needs to take on the reins. We’ll need a new destination kind of show and I think this one could do it. I’m just super excited about the venue!

 

TH: It’s gonna be awesome man! People are gonna be shocked by that place. It’s one of those places when you go, you’ll want to come back whether as a guest or a band. They are doing things right, those are the type of people I want to align myself with. 

 

TK: Last thing I wanted to ask and I’ll let you go; Which bands are you the most excited to see perform at this fest?

 

TH: It’s hard to choose because a lot of the bands on the fest are bands I work with. A lot of these bands I haven’t had the pleasure to see live. Some bands are coming way out like Oxygen Destroyer based out of Portland, that’s a big one for me, otherwise it may be hard to catch them. Sentient Horror is one of the bands I had on the label the longest who just released an album, I never saw them live so that would be really, really great to catch them. There are bands from Ohio like Mutilation that I’ve also worked with. I’ve seen them a bunch but they are incredible live! One of those bands you just can’t miss. But all of them man! Macabre, it’s been years since I’ve seen them. Deceased is always fun, Imperial Triumphant I‘ve actually never caught even though they’ve played my area a few times, I’ve always missed them. I know I’m going to get pulled into a lot of directions but I hope I get to see at least a little bit of everybody’s set. That’s my goal for the 2 days; I wanna see at least a piece of everybody. 

TK: Anything else that you would like to add?

TH: Don’t be afraid to get in the car and take the trip to Youngstown! 

 

Head over to Into the Darkness Fest and secure your tickets now!

 

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HELL NIGHT – Unlimited Destruction – REVIEW

If you haven’t been hip to Hell Night yet, now is the time to correct that mistake. The band had several 7’s and singles throughout their career and released their first full length in 2019, “Unlimited Destruction.”  The title  fits perfectly as this recording is full of enough hard hitting guitars, pummeling drums and vicious vocals to level a city. Brian Fair replaced original vocalist Mike Craft for “Unlimited Destruction,” taking the sound further with even more fury than before.

Hell Night have a hardcore/metal/punk approach filled with pure aggression that comes in part from Andy White’s brutal and murky guitar work that perfectly compliments Brian Fair’s pissed off vocals. While their exact genre of music is difficult to pinpoint, their ability to write killer riffs and songs that may a mosh pit to break out in your living room is without question.

For even more details regarding this album check out our recent interview with Brian Fair.

 

 

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NIGHT DEMON – Darkness Remains – REVIEW

For the last couple of years, Night Demon have kept the traditional Heavy Metal flag flying high with their incredible and distinct retro inspired style. “Darkness Remains ” was released back in 2017 and if you haven’t gotten into this power trio from California yet, this album will serve as a perfect introduction to the band. If you are a fan of the more classic years of Metal with Judas Priest, Iron Maiden and Diamond Head, you will find much to bang your head to on “Darkness Remains.”

In the last 10 years or so there have been plenty of bands that perform classic styles of Heavy Metal, Thrash or Death Metal. So many that we may need yet another Metal genre (Retro Metal?) Night Demon, however, may be the absolute best when it comes to capturing the feel. Songs like “Black Widow,” and “Life on the Run,” will have you feel like you just stepped out of a DeLorean into 1985.

This feeling comes from Night Demon’s incredible song writing. There are tons of killer riffs and melodies that will get your head banging and memorable choruses that are guaranteed to get stuck in your head. There is plenty to love here from the technical guitar work to the vocals that blend in perfectly to each song. If you are looking to give your ears a break from extreme metal but still listen to something that is gonna kick your ass, give this one a spin.

 

 

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INSINNERATOR – Hypothermia – REVIEW

This one is for the Thrashers. Instantly from the first track, “Burned Alive,” Insinnerator assaults the listener with a battery of blazing riffs, intense solos and some killer vocals that give off an early Exodus vibe. Tons of falsetto screams and group vocals are added throughout the album that hammer home the Bay Area metal vibe that Insinnerator expertly pull off.

Curiously, the title track, “Hypothermia,” is a vast departure from the rest of the album. It is a short and somber instrumental melody that feels much more like the opening of  a longer piece than a title track. “Elemental Ice Dragon” has all of the makings to be an epic Thrasher. It’s a longer song that adds more technical flair than the pure Thrash fury displayed on the rest of the EP. It has a real Metallica meets Slayer vibe. This is a nice change of pace that showcases that the band can add a little more variety to their sound beyond straight aggressive Thrash. (Not saying that there is anything wrong with that!)

“Curse (Horror of Dracula)” is a banger and a great way to end this EP with tons of angry speed, great vocals and a nice haunting feeling vibe to close things out. Another win from the next generation of Thrash Metal!

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Interview with Brian Fair of Hell Night and Shadows Fall

Hell Night’s album, “Unlimited Destruction,” is part of April’s subscription bundle. This is a brutal and killer record that we are excited to share with you. Lead singer Brian Fair, whom you may also recoconze from Shadows Fall, took a few moments out of his busy schedule to chat with us about Hell Night, Shadow Fall’s reunion shows and raising the next generation of Metalheads. 

 

Trve Kvlt Coffee: I understand you’ve been pretty busy lately, you were saying that you were moving offices?

Brian Fair: Yeah. We’ve been home for 2 years. It started because of the pandemic and then we had a giant flood from a water main, they just kept pushing it, pushing it and pushing it to the point I was like, “Man, I set some roots at home. I’m not ready to move. “(laughs) It was getting pretty comfortable working from home but we start full time Monday. 

TKC: I don’t think my wife ever wants to go back to the office. She’s been working at home since the pandemic. 

BF: I’m with her. I don’t wanna go back. I can get snacks out of my own refrigerator, and little things like running the laundry while I’m working. Where am I gonna find the time now?

TKC: Do you find yourself working longer when you work from home then you would at the office?

BF: I’ll pop in if I have to take care of something real quick, it’s great to have that access. Say something comes in after hours but I just wanna get it done, I would do that where there is no option at the office. Yeah I go in a little earlier, make some coffee and start working. 

TKC: You’ve been a part of several bands throughout the years and in our subscriptions this month we are featuring Hell Night. How did you land that gig? 

BF: It was kind of funny. When I first moved to St. Louis, where my wife is originally from, was right when Shadows Fall was still touring for the first couple of years I lived here but we were definitely winding down. I wasn’t really looking to do anything musically for at least a little while , ya know? Just after 20 years on the road with those guys. But then one of the first bands I saw was Hell Night with their original singer, Mike Craft who was a good friend of my wife. So I went and saw them and they were this mix of like Black Flag down tuned crazy sludginess with Melvins mixed and all of this shit happening. It’s not what I was expecting, I was blown away. These guys are amazing! Mike was talking to me, “I don’t have the time to commit to a band these days,” He just decided not to do it anymore. I was skateboarding with our guitar player Andy and he was like, “You wanna come down and jam?” I was like, “Dude I already know the first EP and a few other tunes, I’m in.” So we jammed and honestly started writing music right away. And that’s what really solidified it. It’s totally different from what I’ve been doing for a long time and we were already making material together that just felt right. 

TKC: Speaking of writing music, is your approach to writing music for Hell Night similar to Shadows Fall or something entirely different?

BF: Totally different. In Shadows Fall there was a lot of technicalities to the song writing as well as the riffs. Those guys would have a pretty solid riff map when they were putting songs together. They would tweak overtime with myself bringing in some vocal lines may change a thing here or there. There was a very long process of getting it all super tight, getting everything together. Hell Night we come up with some ideas in th practice space and we try to map out a song. I’m usually writing while we are jamming on it. It may take a practice or 2 to nail it down and then we try to record it super early. We do things the exact opposite where before the original inspiration is gone we get in the studio and just lay it down. We weren’t able to do as much pandemic wise but we were writing a crazy clip before that in almost every other practice we had a new tune. We are also at the point we play that live the new stuff is always going to be a part of the set list. That’s probably what excites us the most is getting together and writing new tunes, coming up with new ideas.

TKC: “Unlimited Destruction,” is a killer album, it hits just right. How has the response been so far?

BF:It’s been good. It’s a fairly limited release , we did it with a local label here. We weren’t really able to tour on it but locally the shows have always been killer whenever we play, real good support from the local music scene. Anyone who has gotten their hands on it or checked it out has been digging it. Sonically it not only falls in between a lot of genres and has a lot of angles that people get into, it doesn’t sound production wise like what happens in heavy music right now. I think it’s got kinda of a different sound. A lot of it is due to Andy’s guitar tone and Doom/Sludge thing that sounds more like a keyboard that is being attacked by a shark than a guitar. I think that really adds this weird element to it. We had a bunch of different EPs and songs here and to get them together on vinyl, I’m stoked to have that together in one spot finally. 

TKC: That’s awesome to hear. Personally, I love the cover to the album. Godzilla is my son’s hero. We’ve watched several Godzilla movies several times. Where did the album cover come from? 

BF: My son is currently obsessed with Godzilla and we have been on such a Godzilla kick over here. Really titans in general, he’s a big King Ghidorra fan, with some of the toys and we’ve been watching a lot of the movies. Artwork wise, we wanted something that captured that unrelenting force of destruction and there’s not many things better than Godzilla. So it’s a mix of a car crash, Godzilla and some other flaming things. The artist who did it created an original piece from scratch, which was important to us. It can be easy to photoshop a bunch of different images together but to have an original illustration made it a little cooler.

TKC: I feel with the title, “Unlimited Destruction,” you have to have Godzilla! Now that Covid restrictions have loosened, any Hell Night shows planned in the future?

BF: We are just getting back to practicing regularly again, once we get our sea legs back, we’ll book some shows around here. We haven’t been able to travel much, we really only play the St.Louis area but we’d love to go down the road do the long weekend stuff and hit maybe Chicago and places around here. Probably won’t be touring anytime soon unfortunately but hopefully we get some shows soon. For us, everyone has full time jobs, kids and stuff. It’s a little hectic to really travel. Honestly, I’ve done that for a couple decades between Overcast and Shadows Fall. I love being on the road but the longer you’ve been away, the harder it is to imagine doing it full time again, you know? The idea of getting into a bus or van for 8 weeks….I don’t know if I’m ready. (laughs) 

TKC: Researching for this interview I stumbled upon your recent cover of Pantera’s “By Demons, Be Driven,” which was fucking awesome! How were you approached to be a part of that?

BF: Thank you man, that was a blast! Frank, who does Metal Injection, who also played drums on the track, hit me up. It was pretty quick too. “Hey man, I’m sorry this is so last minute, I think you’d be perfect,” I was like, “When do you need it,” This was on a Friday, he goes, “Sunday.” I had to dust off the home studio, it had totally been broken down and make sure all my software still worked. So it took a day to get set up and I tracked it on Saturday and did the video kind of through the next day. For the strobe lights part of the video, I literally took all of my kid’s bike safety lights and went into my weird tiled in shower that’s in my basement and just did the strobe lights with a bunch of kids safety lights. (laughs) Total DIY production! It came together super fast which was also good. I didn’t want to obsess over the vocals and try to get crazy with it. It came out sick. I was pretty stoked.

TK: If there is one good thing that came out of the pandemic, it would be the zoom concerts. Especially in the days where it seemed there was no end in sight. Especially seeing people jam together, who you may have never seen perform together before.

BF: Or bringing guys who would always talk about on the road, “Hey we should jam together!” But you never get the chance to. To actually do it virtually and to have some cool weird combos you wouldn’t expect, that was super entertaining. Like you said, it at least brought in some fresh music and things like that. If you couldn’t go see it, you’d at least see something you’d never get a chance to have. Hell Night was part of one of the Metal Injection streaming things when they did a full day festival and that was really cool. It gave a lot of bands a chance to at least show what they are up to and connect in a different way and feel like you are doing something. You’re getting some music and there and you’re connecting in some way. I think a lot of other people got to hunker down in the studio, there are probably so many newer original ideas and music coming out because people are like, “Well, I have nothing else to do but fire up the Pro Tools and see what happens.” At least a little silver lining there.

TK: Yeah that’s one thing to look forward to; the music that may be coming out now that bands are able to tour again. I know a lot of bands have been sitting on things, where they don’t want to release it if they can’t support it.

BF: Totally. That stuff gets planned out so far ahead that if you were dropping a record that March or April, aww man I can’t even imagine. You’ve been building up to this whole thing then all of a sudden it’s like you are not going to be able to tour for almost 2 years. That’s such a momentum killer. For a lot of bands the only real revenue source you have now is touring and merchandise while you’re touring. It’s not like record sales are what they used to be although it did force people to get creative  with Twitch and covers and finding ways to generate revenue and connect in ways to keep the fires burning. I think that we bring out more ideas that will stick around.

TK: I also saw that you were part of the Headbanger’s Con a few years ago, what was that like?

BF: It was cool. Chris 51 who is a tattoo artist and a crazy Metalhead, he had done one of the early tattoo reality shows too, had the idea after doing all these tattoo conventions and was like, “There is no Heavy Metal one, there is a convention for everything else.” So he set it up similar to that. It was a blast man. Fans coming in getting to hang out, there was also some Q and A stuff and there were some shows that were played. The one thing I think if they would have been able to expand it, I think there would have been more jams, sort of all star bands. We just didn’t get a chance to pull that stuff off. Hopefully they can keep that going now that people can get back together in large groups again. 

TK: I hope something like that show happens again and seems like a very unique experience for both the fan and the artist.

BF: Exactly. It was cool to see someone thinking outside the box and a bunch of companies and labels supporting it too, finding new ways for people to get together and celebrate Metal. I really hope it is something that Chris can keep rolling. 

TK: At the end of last year you had your very successful Shadows Fall reunion show. How did that night go for you guys?

BF: It couldn’t have gone better. That venue (The Palladium in Worcester, Massachusetts) is our home away from home. The crew that put it on our people that have been in our circle for decades and decades, everyone has their families there, it was just a blast. The lineup was killer from top to bottom. It really couldn’t have gone any better. Now we have a couple festivals planned for September. That will probably be the way we do things, a couple festivals here and there each year if we can or maybe a long weekend type of thing. It’s just been a blast to just jam with those guys. There are even some ideas floating around maybe if we got some riffs. we’ll try and see if new music can happen naturally. It was just good to jam again. The fact that it all happened was crazy. We started the ball rolling before the pandemic and had to shelve everything and then when we finally got it together for December, all of a sudden Omicron was coming and things were getting shut down right before that. We didn’t think we were gonna make it to the finish line. Luckily we did. There was a little bit of Covid soup in there, I’m not gonna lie! Even at the time we were like, “Ehhhhh…..I don’t know if this is the best idea.” Luckily none of the band got sick, we didn’t hear anyone from the crowd of anything crazy happening, numbers spreading or anything like that. It was a nervous part there where we thought we were so in the clear for December at that point. The fact that it happened was the best part. I think it has been 6 years since we played.

TK: Glad to hear that all worked out. It is so easy to have a show canceled just like that. One crew member gets sick and that’s all it takes.

BF: Exactly and we were seeing that happen. By the end of December I had some tickets to some shows in New York City that I was going to fly in for around New Year’s and it all got shut down right before. Our show was the 18th, so it was barely right before it. It seems like touring is not totally getting back to normal but you’re seeing a lot less last minute cancellations at least. There have been a lot of shows coming to St.Louis lately and it;s been fun getting out and about. It does feel strange on the social aspect of it. I feel like Ricky Bobby. “What do I do with my hands?”

TK: I will tell you the fans are hungry for it. A lot of Metal shows in my area are selling out.

BF: It’s the same here. There was a 3 day run with Cannibal Corpse, The Circle Jerks and Dragonforce and this one venue and 2 shows sold out and one almost did and that was a Monday, Tuesday and Wednesday. It goes to show you we are ready to party; let’s do this.

TK: You were saying you are doing a few festivals with Shadows Fall in September?

BF: Blueridge Music Fest in Virginia, it 4 days and 6 stages. Every single band in the world is playing. It’s huge. The lineup is a never ending scroll of awesome bands. The next one after that is Furnace Fest in Birmingham, Alabama. So happy to play shows. When you only have 2 it makes it special, each one you can focus and let it all rip.

TK: Going back to the Shadows Fall show, were your kids able to attend?

BF: Totally. They were there. They are super into music, they’ve seen the Youtube videos and all of that but it’s not the same. I’m really glad they got to see a big headlining show and be like, “See? I told you dad was cool!” They were right on the side of the stage and came up for a second. It was a blast. They had a great time.

TK: What do they think of having a “Metal Dad” and see dad perform and do his thing?

BF: They love it man! But they think it’s pretty normal though. It’s more weird when they kinda realize I guess everyone’s dad’s hair isn’t 5 feet long or when Slayer comes to town doesn’t go backstage. We took some friends of theirs to Dragonforce and they were like, “This is different!” I’m just psyched because they have been jamming on their own tunes and they are only like 5 and 8. We’ve been writing tunes and jamming a little bit ourselves. We’ll see. Keep the next generation rolling.

TK: I think that’s all I had for you today. Anything else that you would like to add?

BF: We are stoked to be part of the subscription for Hell Night. We appreciate spreading the word. Keep an eye out for Hell Night tunes. You can always follow us on all the social media stuff. Shadows Fall is playing a few shows here and there, I’m sure there will be more.

 

 

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DEADYELLOW – Self Titled – REVIEW

Deadyellow is a post Black Metal band from New Jersey who are just getting started and are already bringing the noise. Their debut self titled effort contains only 6 tracks but is meaty enough to satisfy any palate. The guitars are low and murky with some great riffs and solos amongst the tremolo picking. The vocals are a little less harsh than your typical Black Metal fare but blend in well with the rest of the band.  Most of the music on this release runs on the slower to mid tempo side. Don’t let that worry you, there are still plenty of blast beats included here and the overall sound is still heavily rooted in Black Metal. Deadyellow’s tracks are multifaceted and include the use of pianos and clean vocals for a truly epic journey.

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SNOGG – Dan, ko jer vrag salo – REVIEW

Snogg’s offering to March’s subscribers is an epic 20 minute single track. The song, titled “Dan, ko je vrag vzel šalo,” translates to, “The Day the Devil Took the Joke.” Throughout the song listeners will be treated to several tempo and vocal changes. There are elements of experimental Black Metal, noise and general strangeness on this track. Despite the different styles included in this piece, it connects and flows well into each style without any jarring changes.

If you are looking for something to different and far from the norm, “Dan, ko je vrag vzel šalo,” is unquestionably worthy of your attention. With so many musical changes and styles coming at you, this track just begs for multiple listens. So pour yourself a cup of your favorite Trve Kvlt coffee, kick off your shoes and take a journey with Snogg.

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NO COFFIN – All Life Must End – REVIEW

No Coffin waste no time getting their point across in this short but brutal 4 song EP.  “.45” starts out the EP like a shot from a …well… It’s fast and ferocious but also slows the tempo a bit and adds some nice Doom elements as well “Fire is the Cleanser” is a killer thrash fest that instantly grabs you by the throat and doesn’t loosen its grip with a pummeling chorus, fast and dirty guitars and destructive drumming. “All Life Must End,” is a fitting selection for the title track with some great dual vocal work and throbbing guitars that smack you straight in the forehead. The last track gives you a moment to pick yourself off the floor. No Coffin slows things down to a crawl with a slow, sludgy cover of Portishead’s “Over.”

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KARMANJAKA – Gates of Muspel – REVIEW

 

Karmanjaka and their metal as fuck unreadable band logo come to us from the land of great melodic metal, Sweden. That Swedish influence of melodic, rocking and catchy riffs can be felt throughout the entirety of this recording. Black Metal is often seen as the grimmest of the grim but this album has an almost, “fun” feel to it. Listen to the standout track, “Sorcerer King,” and judge for yourself. With its outstanding guitars and howling vocals it feels like a mix of classic era heavy metal and black metal. With such a melodic approach to their sound Karmanjaka have put together a very accessible black metal listen to many who may not be a fan of the genre. In addition, the production on this album is slick and crisp making it even easier to pass it on to your friend who still hasn’t given a black metal band a fair listen. The themes on this album are still bleak, evil and pagan, so purists should night be scared off by Karmanjaka’s diverse sound. Easily one of the more engrossing and energetic black metal album to come out in some time. Highly recommended!

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CULTIC – High Command – Review

 

 

The production on Cultic’s, “High Command,” is as thick and murky as the material itself. The album starts out with “The Conqueror,” that plods along with raw riffs that perfectly blend in with the old school production on this album. This song sets the tone for the rest of your listen, so if you are looking for some sort of studio polished banger, you may want to skip this one. However, if you dig your doom raw and with all of the production values of an old school cassette recording from a friend’s basement, this one’s for you. The rawness of this recording, however works perfectly for the Doom and Sludge sound that Cultic are going for here. The primitive and early Celtic Frost vibe work both for and against what Cultic are trying to achieve here, as the album can tend to become a tad bit repetitive causing some of the songs to blend together. There still is plenty to enjoy here and is not a bad start for their first album.