Author: Huldufolk

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DECEASED announce new drummer.

In the wake of the tragic, untimely death of longtime drummer Dave Castillo on November 12th, underground icons Deceased have announced their new touring drummer, Amos Rifkin, as well as structural changes to their recording lineup. Deceased founder and vocalist King Fowley says the following: “Deceased recently lost our drummer and dear friend Dave Castillo. He sadly drowned while visiting family in El Salvador. Deceased is a band that is all about family and friendship above all. The shock is still fresh in our systems as we decide how to proceed with the band’s future. After a few weeks of letting everything sink in, it is now a fruition. Deceased is continuing on! We all know in our hearts Dave would be the very first one to tell us to keep on rocking. The plan now is for me to go back to playing drums on the studio records, and we are bringing in a friend to play live drums for us.”

Continuing, King says, “Finding the right guy to play drums for us wasn’t easy. There’s a lot to what we do drum-wise in the band, and we need a heavy, precise hitter whose 110% always reliable and ready to rock at the drop of a hat. Oddly, how we found this guy is kinda ‘haunting,’ keeping in a Deceased career-long off-kilter kind of way. A few months ago, while playing on tour, Dave fell in love with a band called Death of Kings that were supporting us. He totally enjoyed their in-your-face thrash attack and really dug the drumming in the band. The two bands became good pals and metal brothers over the almost-two-week jaunt. At our last show of the tour in Detroit, Michigan, Dave told me, ‘If anything ever happens to me, you gotta get this motherfucker on drums – he kicks ass!’ Hauntingly enough, we stand here today finding a replacement for Dave. Talking amongst band members, a name kept coming up in every conversation. I put it at my top of the list of things for me to look into. Weirdly, at this same time, I was asked for my address by the guy and a letter came to my house. The letter was a handwritten two pages expressing condolences and had a genuine honesty to it that immediately made me take notice. He wrote of how much he enjoyed playing together on the tour and how Deceased was a powerful entity in the underground music world. About two thirds through the letter, he started to talk of offering his playing skills to the band to keep the entity rolling on. I called him up, and we talked for a good while. I explained how things work in the band and what we’d need and expect from him. He was all in, as were we. Deceased has people living all over the world anymore, it seems, so him being four states over from us is nothing. Homework is the most important thing in this band, and you come in ready in full. After a few video tryouts of him playing to our music, it is exactly as expected – full-hearted and played with passion, and a knack for understanding the wacky traits that are Deceased drums. The band will rehearse throughout winter and into 2019. Look for our first shows April 14th in Philadelphia, Pennsylvania at the Decibel music festival, quickly followed on April 19th at the Milwaukee NYDM spring bash.”

Concluding, “So here we are, about to go into our 34th year as a band. And I now introduce you to our new touring drummer, and fellow maniac for the music, Amos Rifkin. UP THE TOMBSTONES!”

Deceased‘s long-awaited eighth album, Ghostly White, is out now via Hells Headbangers. It features Dave Castillo’s final performance with the band, and can be heard in its entirety HERE at Hells Headbangers‘ Bandcamp.
Cover art, courtesy of Raul Gonzalez, and tracklisting are as follows:


Tracklisting for Deceased’s Ghostly White
1. Mrs. Allardyce
2. Germ of Distorted Lore
3. A Palpation’s Warning
4. To Serve the Insane
5. Endless Well
6. The Shivers
7. Thoughts of a Leaking Brain
8. Pale Surroundings

DAVE CASTILLO
November 25th, 1974 – November 12th, 2018

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RIP Erik Lindmark, Unique Leader Records Founder

 

 

With heavy hearts, it has been announced that Deeds of Flesh & Unique Leader Records Founder & CEO, Erik Lindmark has passed away.

The following is a  statement released by Unique Leader Records, via social media.

“It is with great sadness that we must announce that our CEO & Founder, Erik Lindmark, passed away today after battling with Sclerosis.

The indelible mark he has left on the Death Metal genre is monumental, both as a business man and as a musician. After building this label from scratch with his Deeds bandmates, Erik took Unique Leader to a level he had never expected it, or the genre, to get to.

During his time in Hospital, Erik was absolutely implicit with his instructions to staff to go full steam ahead with the label in his absence- which is exactly what we intend to do.

That being said, we will not be releasing anything in January so that we can make the necessary adjustments and delegations within the company. We would like to thank you all for your well wishes, support and kindness toward Erik on socials and via private correspondence.

There is a gofundme setup for Erik’s daughter Bella (5) and his wife- link below.

https://www.gofundme.com/bella-lindmark-fund

Rest in peace Erik. You were a true warrior.”

 

Please consider donating, even if it’s just a little pocket change.

RIP ERIK

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HECATE ENTHRONED Teases New Song For New Album ‘Embrace Of The Godless Aeon’

HECATE ENTHRONED: New Album ‘Embrace Of The Godless Aeon’ Coming In January

The UK-based blackened death metal group Hecate Enthroned will release “Embrace Of The Godless Aeon,” their first album in five years (and their debut for new label M-Theory Audio), on January 25, 2019. The album – which features cover artwork by Nestor Avalos (Bloodbath, Rotting Christ, The Black Dahlia Murder), as seen to the left – can be pre-ordered now on CD and red splatter vinyl at  m-theoryaudio.com/store. A limited-edition deluxe box set that includes exclusive purple vinyl and cassette editions of the album, a signed photo card and other collectibles is also available.

 

 

A new song from the album, “Temples That Breathe,” can be heard here:

One of the UK underground’s longest-running and most respected acts, HECATE ENTHRONED has been praised by the likes of Terrorizer for their “mixture of death metal aggression with black metal atmosphere.” “Embrace Of The Godless Aeon” – their first recording with vocalist Joe Stamps, who joined the band in 2015 – sees the group continue to deftly mix black with death, modern with classic and extreme with symphonic. The album, which features guest vocals on three songs by Sarah Jezebel Deva (Cradle of Filth, Therion, Mortiis), was co-produced by Dan Abela (Voices, The Antichrist Imperium).

Bassist Dylan Hughes, “This album with its epic sweeping orchestration and heavy aggression represents a new chapter for us cementing the chemistry of the current lineup and our partnership with M-Theory. A welcome return from Sarah Jezebel Deva hints to the grandiose flavor of earlier releases, but this time, it’s tempered with a guitar and drum sound forged from solid steel and then edged by a razor-sharp production from Dan Abela. The summoning of unholy flame and terror that is the cover art is an oil painting commissioned from in-demand satanic artist Nestor Avalos and begins your visceral journey through cold bleak landscapes, crushing tormented seas and searing shards of heavy metal.”

Originally co-founded in Wales by guitarist Nigel Dennen in the mid-1990s, HECATE ENTHRONED is dedicated to delivering their own brand of evil metal with little regard to politics or the trends of popular demand. The group’s 1997 full-length debut, the Andy Sneap-produced “The Slaughter Of Innocence, A Requiem For The Mighty” (Blackend Records), was a seminal release in the then-burgeoning orchestral black metal movement. Since then, several full-lengths and EPs and numerous live performances have firmly established the band as one of extreme metal’s most important voices, a sentiment that “Embrace Of The Godless Aeon” firmly reinforces.

HECATE ENTHRONED’s next live performance will take place on December 1 at the Tabernacle Chapel in Llandundo, North Wales, followed by a show in Belgium on December 14th with Altar at De Verlichte Geest in Roeselare. The group plans to tour extensively throughout 2019.

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ABYSSOUS Stream New Mini-Album

Abyssous - Logo

German death metal mavericks Abyssous streamed the entirety of their long-awaited new recording, Mesa, at Revolver magazine’s website (Also streaming at the bottom of this article.). This new mini-album shall be released on November 1st via Iron Bonehead Productions, in conjunction with the Iron Bonehead / Nuclear War Now!-curated Never Surrender Festival set to take place in Berlin on November 1-3. Abyssous will be giving an exclusive performance at this fest.

It’s been six long years since the original release of Abyssous‘ debut recording, …Smouldering. What was first a demo soon became something of a debut album, aided by two newly recorded tracks and a cavernously 3D mastering job by P. Engel at Temple of Disharmony: Iron Bonehead was so impressed by this fresh take on a rotten sound that it released …Smouldering on vinyl LP in 2013. Anchored in the ancient ways of the Metal of Death yet exuding a bold, flowing flair for songcraft, here Abyssous compositionally ran the gamut from teeth-gnashing, tempting-the-corners-of-chaos violence to slowly simmering, doomed-out dementia, taking the listener on a journey to eldritch depths…and beyond, and back. Not for nothing was it titled …Smouldering.

Then came silence, but during that interim, Abyssous have been patiently perfecting their craft. It finds full bloom on the aptly titled Mesa, which presents ten tracks across a surprisingly expansive 35 minutes. With such a setup, one would think a record of quick-hitting constructions; instead, Mesa is more like five proper songs buttressed by just as many no-less-crucial interludes. As such, Abyssous weave a more mind-melting tapestry than before, painting a fever dream in more gangrenous hues of ancient death metal and dizzying tension. It all very much sounds like the band who left us …Smouldering, but whipped into a delirium of fractured angularity and even-more-fractured sanity. Mesa is no less rotten, but paradoxically more regal. Even the language the power-trio is using here – “Fissurge,” “Aerosoils,” “Perlurkural,” “Vesspense,” and especially the climactic “Congealed Lores” among them – suggest that they’re indeed operating on a mesa all their own.

Or, one could simply gaze deeply into the cover art of Mesa and see where Abyssous are going now, and where they’re arriving. Will you step beyond The Beyond?

 Cover and track-listing are as follows:

Tracklisting for Abyssous’ Mesa
1. Aisernal
2. Mesa
3. Perlurkural
4. Impelled
5. Fissurge
6. Ocaeon
7. Diphour
8. Aerosoils
9. Vesspense
10. Congealed Lores

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PROFANATICA reveal the new track, PRAYER IN ECLIPSE from forthcoming mini-album, ALTAR OF THE VIRGIN WHORE

PROFANATICA reveal the new track, PRAYER IN ECLIPSE from forthcoming mini-album, ALTAR OF THE VIRGIN WHORE

Underground legends Profanatica reveal the new track “Prayer in Eclipse.” The track hails from the band’s forthcoming mini-album, Altar of the Virgin Whore, which will be released this coming November by Hell’s Headbangers on CD, 12″ vinyl, and cassette tape formats. The mini-album’s release coincides with a European tour alongside Watain and Rotting Christ (dates after the jump). .

Profanatica need no introduction: pioneers of American black metal, masters of barbaric minimalism, desecrators of all that’s pure and clean – and iconoclasts to the very end. Ever since the band’s reformation/re-invigoration with 2007’s Profanatitas de Domonatia, full-length albums have been the preferred format for Paul Ledney and crew. However, going back the band’s beyond-classic Weeping in Heaven in 1991, it could be argued that Profanatica are at their most potent when doing EPs and that’s precisely what Altar of the Virgin Whore is: 20 minutes of cruel ‘n’ crushing sonic defilement that bears all the bulldozing trademarks of the band post-reformation. No need for further fancy words here; this is simply and totally Profanatica, distilled to its short/sharp/shocked essence and rendered in the rudest and rawest form.

The release of Altar of the Virgin Whore shall be joined by long-awaited vinyl reissues of Profanatica‘s first two albums, the aforementioned Profanatitas de Domonatia and 2010’s Disgusting Blasphemies Against God.

In the meantime, hear the new track “Prayer in Eclipse”

Release date and pre-order info for Altar of the Virgin Whore to be announced shortly. Cover art, courtesy of underground legend Chris Moyen, and tracklisting are as follows:

Tracklisting for Profanatica’s Altar of the Virgin Whore
1. Conceived With Sin
2. Prayer in Eclipse
3. Altar of the Virgin Whore
4. Crucifixion Wounds
5. Thorn King
6. Sacred Code Broken
7. Fuck the Messiah
8. He Has Risen

November 2 – Copenhagen, Denmark @ Byhaven Pumpehuset
November 3 – Leipzig, Germany @ Hellraiser
November 4 – Warsaw, Poland @ Progresja
November 6 – Prague, Czech Republic @ MeetFactory
November 7 – Budapest, Hungary @ Barba Negra Music Club, Budapest
November 9 – Munich, Germany @ Backstage
November 10 – Zug, Switzerland @ Chollerhalle
November 11 – Trezzo sull’Adda, Italy @ Live Club
November 12 – Colmar, France @ Le Grillen
November 14 – Barcelona, Spain @ Razzmatazz 2
November 15 – Madrid, Spain @ Changó
November 16 – Limoges, France @ Centre Culturel John Lennon
November 17 – Paris, France @ Le Trabendo
November 18 – Oignies, France @ Tyrant Fest
November 20 – Saarbrücken, Germany @ Garage
November 21 – Mannheim, Germany @ Ms Connexion Complex
November 22 – Berlin, Germany @ Astra Kulturhaus
November 23 – Borgerhout, Belgium @ TRIX Centrum voor Muziek
November 24 – Bochum, Germany @ Matrix
November 25 – Nijmegen, Netherlands @ Doornroosje

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DEATHHAMMER premiere new track for new album, Chained To Hell

DEATHHAMMER premiere new track for new album, Chained To Hell

Today, blackthrash elite Deathhammer premiere the new track “Threshold of Doom”.The track hails from the band’s highly anticipated fourth album, Chained to Hell, set for international release on October 5th via Hells Headbangers.By now, Deathhammer should need no introduction. For 13 years, this insatiable Norwegian duo have been at the forefront of the burgeoning blackthrash movement. Though blackthrash has seen intermittent surges in popularity over the last few decades, for sole members Sadomancer and Sargeant Salsten, this is a way of life – not a trend. Deathhammer proved as much as with their cult debut album, Phantom Knights, in 2010 and then proved it yet further and more fully – and more furiously and filthily – with 2013’s Onward to the Pits and 2015’s Evil Power, both of which were released by Hells Headbangers to widespread international acclaim. And yet, through it all, the duo kept their wits about them, simply being Deathhammer and taking their irresistible (and irresistibly evil) charm to stages worldwide, including a command performance at Hells Headbangers‘ Hells Headbash 2 in 2015.

With the stage set thusly, Chained to Hell is a statement of intent for Deathhammer: this is who they are, eternally, and there’s no turning back. Everything that’s endeared the duo to legions worldwide – bursting-at-the-seams energy, forever-forward momentum, coiling-yet-catchy songwriting, and that strangely clean ‘n’ clanging guitar tone that’s somehow dirtier than most other blackthrash out there – is here, both in a state that’s blood-red raw and sagely mature. It’s a unique duality that Deathhammer so unselfconsciously exude here, that youthful enthusiasm somehow remaining intact but simultaneously imparting an aeons-old wisdom, the entirety of classic metal history run through a rusty blender. Of course, the firmest foundation still remains that fateful year of 1985, when when Sodom and especially Destruction were releasing their respective, undeniably classic debut EPs – but also of course, Deathhammer possess that elusive charisma that elevates Chained to Hell from lazy pastiche to a crucial component in that blackthrashing continuum.

Some bands age like fine wine, while others are mostly remembered for their early, exuberant energy. With Chained to Hell, Deathhammer prove you can do both!

Hear for yourself with the new track “Threshold of Doom”

Cover and track-listing are as follows:


Tracklisting for Deathhammer’s Chained to Hell
1. Rabid Maniac Force
2. Satans Hell
3. Black Speed Inferno
4. Threshold of Doom
5. Tormentor
6. Into the Burning Pentagram
7. Chained to Hell
8. Evil
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Youtuber, Killbot & GorGor Attack!! Reviews TKC

Youtuber, Killbot & GorGor Attack!! Reviews TKC

 

Facebook: https://www.facebook.com/KillbotAndGo…

Instagram: https://www.instagram.com/killbotandg…

Patreon: https://www.patreon.com/KillbotAndGor…

SPREAD THE METAL LIKE A PLAGUE!

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Barús set release date for debut full-length, first track reveal.


Barús set release date for debut full-length, first track reveal.

In their endless quest to push and support underground acts that deliver the goods, unaware and unmindful of trends and hype, on October 22nd, Memento Mori is proud to present Barús‘ striking debut album, Drowned.Hailing from Grenoble, France, Barús formed in 2015 and soon released their self-titled debut EP through Emanations (a division of Les Acteurs de l’Ombre Productions). Since mid-2016, work has been focused on their debut full-length album. Bearing the ominous title Drowned, this is a bolt-from-the-blue work of unimaginable vision and towering might.

Indeed, the term “βαρύς” evokes a weight, an overbearing burden. Through Barús, this takes musical form through a complex and utterly atmospheric – but, above all, completely and totally visceral – approach to death metal. Call it an alchemy of sorts, but Drowned presents a moltenly monolithic, ceaselessly churning sound merged with palpably progressive structures, frequently stretching into black metal and doom territories – and effortlessly, at that – all compellingly completed by bowels-of-Hell deep vociferations and vocalizations spanning semi-clean moans, spoken word, chants, and everything in between. Truly, it’s a nightmare made flesh, its dissonance instilling an unshakable tension and terror, and yet Barús manage to make it sound so alluring, so tempting…to literally DROWN in the enormity they lay bare for the helpless listener. Drownedindeed!

Memento Mori doesn’t usually dip its toes into “progressive” or “post” waters, favoring the musty odor of vintage death metal. However, when presented with Barús‘ Drowned, the label couldn’t help but submit to their visionary onslaught on the senses. So, while we could describe them as “Autopsy reinterpreted by Meshuggah” or “Gojira and Gorguts jamming out to an old Demilich tune with Ulcerate’s instruments,” we’re confident Barús should definitely appeal to fans of such daring bands Gorguts, Triptykon, Ulcerate, Emptiness, Meshuggah, Portal, Diskord, Akercocke, Gojira, Sumac, Deathspell Omega, Altars, and Chaos Echoes.

Featuring nine songs in a vast yet time-evaporating 56 minutes, the production on Drowned is absolutely stellar; it was recorded between 2016 and 2017 at Plastic Lobster Studios & Eptagon, with drum recording & additional reamping done at Octavox Studio, while mixing & mastering were done by James Leonard at Plastic Lobster Studios. Completed by cover art courtesy of the masterful Timo Ketola, with inner artwork by Stephen Wilson, Barús‘ Drowned is this year’s dark-horse classic in the making!

Hear for yourself the first hint of such with the new track “Descry”

Tracklisting for Barús’ Drowned
1. Descry
2. Graze
3. Engorge
4. Amass
5. Dissever
6. Vitiate
7. Benumb
8. Perpetrate
9. Forsake
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Norwegian musician writes a song about Trve Kvlt Coffee (Listen here)

English-Norwegian dude, Kyle Sevenoaks of I The Betrayer loves our coffee so much he became possessed and wrote a song for us! Sweet!

BLVCK CVFEE MVSTER WRITTEN FOR TRVE KVLT COFFEE

lyrics

The black liquid, runs down my throat
As I gulp from the black chalice

it gives me
no end
of carnal pleasure

Bring me
the burnt offerings
of the trve kvlt coffee

In darkest Hell
to the coldest storm
only the strongest
survive
nothing is equal
not the wrath of the gods
to the darkest blackest liquids
from hell

it gives me
no end
of caffeine power

Bring me
the burnt offerings
of the trve kvlt coffee

Credits

Written and recorded by Kyle Sevenoaks
Released July 29, 2018
Written, recorded, mixed and mastered at The Riffinery, Oslo.
COPYRIGHT, ALL RIGHTS RESERVED.