Posted on

PROFANATICA reveal the new track, PRAYER IN ECLIPSE from forthcoming mini-album, ALTAR OF THE VIRGIN WHORE

PROFANATICA reveal the new track, PRAYER IN ECLIPSE from forthcoming mini-album, ALTAR OF THE VIRGIN WHORE

Underground legends Profanatica reveal the new track “Prayer in Eclipse.” The track hails from the band’s forthcoming mini-album, Altar of the Virgin Whore, which will be released this coming November by Hell’s Headbangers on CD, 12″ vinyl, and cassette tape formats. The mini-album’s release coincides with a European tour alongside Watain and Rotting Christ (dates after the jump). .

Profanatica need no introduction: pioneers of American black metal, masters of barbaric minimalism, desecrators of all that’s pure and clean – and iconoclasts to the very end. Ever since the band’s reformation/re-invigoration with 2007’s Profanatitas de Domonatia, full-length albums have been the preferred format for Paul Ledney and crew. However, going back the band’s beyond-classic Weeping in Heaven in 1991, it could be argued that Profanatica are at their most potent when doing EPs and that’s precisely what Altar of the Virgin Whore is: 20 minutes of cruel ‘n’ crushing sonic defilement that bears all the bulldozing trademarks of the band post-reformation. No need for further fancy words here; this is simply and totally Profanatica, distilled to its short/sharp/shocked essence and rendered in the rudest and rawest form.

The release of Altar of the Virgin Whore shall be joined by long-awaited vinyl reissues of Profanatica‘s first two albums, the aforementioned Profanatitas de Domonatia and 2010’s Disgusting Blasphemies Against God.

In the meantime, hear the new track “Prayer in Eclipse”

Release date and pre-order info for Altar of the Virgin Whore to be announced shortly. Cover art, courtesy of underground legend Chris Moyen, and tracklisting are as follows:

Tracklisting for Profanatica’s Altar of the Virgin Whore
1. Conceived With Sin
2. Prayer in Eclipse
3. Altar of the Virgin Whore
4. Crucifixion Wounds
5. Thorn King
6. Sacred Code Broken
7. Fuck the Messiah
8. He Has Risen

November 2 – Copenhagen, Denmark @ Byhaven Pumpehuset
November 3 – Leipzig, Germany @ Hellraiser
November 4 – Warsaw, Poland @ Progresja
November 6 – Prague, Czech Republic @ MeetFactory
November 7 – Budapest, Hungary @ Barba Negra Music Club, Budapest
November 9 – Munich, Germany @ Backstage
November 10 – Zug, Switzerland @ Chollerhalle
November 11 – Trezzo sull’Adda, Italy @ Live Club
November 12 – Colmar, France @ Le Grillen
November 14 – Barcelona, Spain @ Razzmatazz 2
November 15 – Madrid, Spain @ Changó
November 16 – Limoges, France @ Centre Culturel John Lennon
November 17 – Paris, France @ Le Trabendo
November 18 – Oignies, France @ Tyrant Fest
November 20 – Saarbrücken, Germany @ Garage
November 21 – Mannheim, Germany @ Ms Connexion Complex
November 22 – Berlin, Germany @ Astra Kulturhaus
November 23 – Borgerhout, Belgium @ TRIX Centrum voor Muziek
November 24 – Bochum, Germany @ Matrix
November 25 – Nijmegen, Netherlands @ Doornroosje

Posted on

DEATHHAMMER premiere new track for new album, Chained To Hell

DEATHHAMMER premiere new track for new album, Chained To Hell

Today, blackthrash elite Deathhammer premiere the new track “Threshold of Doom”.The track hails from the band’s highly anticipated fourth album, Chained to Hell, set for international release on October 5th via Hells Headbangers.By now, Deathhammer should need no introduction. For 13 years, this insatiable Norwegian duo have been at the forefront of the burgeoning blackthrash movement. Though blackthrash has seen intermittent surges in popularity over the last few decades, for sole members Sadomancer and Sargeant Salsten, this is a way of life – not a trend. Deathhammer proved as much as with their cult debut album, Phantom Knights, in 2010 and then proved it yet further and more fully – and more furiously and filthily – with 2013’s Onward to the Pits and 2015’s Evil Power, both of which were released by Hells Headbangers to widespread international acclaim. And yet, through it all, the duo kept their wits about them, simply being Deathhammer and taking their irresistible (and irresistibly evil) charm to stages worldwide, including a command performance at Hells Headbangers‘ Hells Headbash 2 in 2015.

With the stage set thusly, Chained to Hell is a statement of intent for Deathhammer: this is who they are, eternally, and there’s no turning back. Everything that’s endeared the duo to legions worldwide – bursting-at-the-seams energy, forever-forward momentum, coiling-yet-catchy songwriting, and that strangely clean ‘n’ clanging guitar tone that’s somehow dirtier than most other blackthrash out there – is here, both in a state that’s blood-red raw and sagely mature. It’s a unique duality that Deathhammer so unselfconsciously exude here, that youthful enthusiasm somehow remaining intact but simultaneously imparting an aeons-old wisdom, the entirety of classic metal history run through a rusty blender. Of course, the firmest foundation still remains that fateful year of 1985, when when Sodom and especially Destruction were releasing their respective, undeniably classic debut EPs – but also of course, Deathhammer possess that elusive charisma that elevates Chained to Hell from lazy pastiche to a crucial component in that blackthrashing continuum.

Some bands age like fine wine, while others are mostly remembered for their early, exuberant energy. With Chained to HellDeathhammer prove you can do both!

Hear for yourself with the new track “Threshold of Doom”

Cover and track-listing are as follows:


Tracklisting for Deathhammer’s Chained to Hell
1. Rabid Maniac Force
2. Satans Hell
3. Black Speed Inferno
4. Threshold of Doom
5. Tormentor
6. Into the Burning Pentagram
7. Chained to Hell
8. Evil
Posted on

Youtuber, Killbot & GorGor Attack!! Reviews TKC

Youtuber, Killbot & GorGor Attack!! Reviews TKC

 

Facebook: https://www.facebook.com/KillbotAndGo…

Instagram: https://www.instagram.com/killbotandg…

Patreon: https://www.patreon.com/KillbotAndGor…

SPREAD THE METAL LIKE A PLAGUE!

Posted on

Barús set release date for debut full-length, first track reveal.


Barús set release date for debut full-length, first track reveal.

In their endless quest to push and support underground acts that deliver the goods, unaware and unmindful of trends and hype, on October 22nd, Memento Mori is proud to present Barús‘ striking debut album, Drowned.Hailing from Grenoble, France, Barús formed in 2015 and soon released their self-titled debut EP through Emanations (a division of Les Acteurs de l’Ombre Productions). Since mid-2016, work has been focused on their debut full-length album. Bearing the ominous title Drowned, this is a bolt-from-the-blue work of unimaginable vision and towering might.

Indeed, the term “βαρύς” evokes a weight, an overbearing burden. Through Barús, this takes musical form through a complex and utterly atmospheric – but, above all, completely and totally visceral – approach to death metal. Call it an alchemy of sorts, but Drowned presents a moltenly monolithic, ceaselessly churning sound merged with palpably progressive structures, frequently stretching into black metal and doom territories – and effortlessly, at that – all compellingly completed by bowels-of-Hell deep vociferations and vocalizations spanning semi-clean moans, spoken word, chants, and everything in between. Truly, it’s a nightmare made flesh, its dissonance instilling an unshakable tension and terror, and yet Barús manage to make it sound so alluring, so tempting…to literally DROWN in the enormity they lay bare for the helpless listener. Drownedindeed!

Memento Mori doesn’t usually dip its toes into “progressive” or “post” waters, favoring the musty odor of vintage death metal. However, when presented with Barús‘ Drowned, the label couldn’t help but submit to their visionary onslaught on the senses. So, while we could describe them as “Autopsy reinterpreted by Meshuggah” or “Gojira and Gorguts jamming out to an old Demilich tune with Ulcerate’s instruments,” we’re confident Barús should definitely appeal to fans of such daring bands Gorguts, Triptykon, Ulcerate, Emptiness, Meshuggah, Portal, Diskord, Akercocke, Gojira, Sumac, Deathspell Omega, Altars, and Chaos Echoes.

Featuring nine songs in a vast yet time-evaporating 56 minutes, the production on Drowned is absolutely stellar; it was recorded between 2016 and 2017 at Plastic Lobster Studios & Eptagon, with drum recording & additional reamping done at Octavox Studio, while mixing & mastering were done by James Leonard at Plastic Lobster Studios. Completed by cover art courtesy of the masterful Timo Ketola, with inner artwork by Stephen WilsonBarús‘ Drowned is this year’s dark-horse classic in the making!

Hear for yourself the first hint of such with the new track “Descry”

Tracklisting for Barús’ Drowned
1. Descry
2. Graze
3. Engorge
4. Amass
5. Dissever
6. Vitiate
7. Benumb
8. Perpetrate
9. Forsake
Posted on

Norwegian musician writes a song about Trve Kvlt Coffee (Listen here)

English-Norwegian dude, Kyle Sevenoaks of I The Betrayer loves our coffee so much he became possessed and wrote a song for us! Sweet!

BLVCK CVFEE MVSTER WRITTEN FOR TRVE KVLT COFFEE

lyrics

The black liquid, runs down my throat
As I gulp from the black chalice

it gives me
no end
of carnal pleasure

Bring me
the burnt offerings
of the trve kvlt coffee

In darkest Hell
to the coldest storm
only the strongest
survive
nothing is equal
not the wrath of the gods
to the darkest blackest liquids
from hell

it gives me
no end
of caffeine power

Bring me
the burnt offerings
of the trve kvlt coffee

Credits

Written and recorded by Kyle Sevenoaks
Released July 29, 2018
Written, recorded, mixed and mastered at The Riffinery, Oslo.
COPYRIGHT, ALL RIGHTS RESERVED.
Posted on

Black Funeral set release date for mini-album

Black Funeral set release date for mini-album

Today, Iron Bonehead Productions sets September 28th as the international release date for a new mini-album from the legendary Black FuneralThe Dust and Darkness, on CD and 12″ vinyl formats.Formed in 1993, Black Funeral are one of the founders of American black metal. The band’s first two albums, 1995’s Vampyr – Throne of the Beast and 1997’s Empire of Blood, are widely considered black metal classics, and are among the earliest releases on the cult Full Moon Productions label. Since the beginning, the band has been guided by the boundless vision of one Michael Ford (AKA Akhtya Nachttoter), who has concurrently garnered international respect as a leading author on Luciferianism and occultism. And although many lineups have come and gone since those pioneering first two lineups, Black Funeral found its strongest formation yet with 2016’s Ankou and the Death Fire. Released to widespread acclaim by Iron Bonehead, the album saw the inclusion of Drowning the Light mastermind Azgorh Drakenhof handling guitar, bass, and keyboards. As such, musically, Akkou and the Death Fire was a purely black metal record brimming with medieval majesty and malnourished misery, a blackflame both bright and bleary, all laced with Ford’s characteristically chilling ambient soundscapes. In many ways, it was a reinvigoration of the classic Black Funeral sound, and that forward momentum continues unabated with The Dust and Darkness.

Recorded 2017 in Australia and the United States, The Dust and Darkness is a recalling and vampyric sonic ritual of Hittite, Hurrian, Canaanite, and ancient Syrian Underworld offerings and necromancy. The title “Dankuis Daganzipas” is the Hittite Underworld, “The Dark Earth,” and is the dwelling place of spirits and chthonic deities who desired blood as their primary offering besides incense and libations. The Lady of the Underworld, Allani, is the ancient Hurrian goddess who is a type of psychopomp as a solar deity who guides the dead into the Underworld. Allani is identical to the Mesopotamian Ereskigal. The god “Chemosh of the Dust and Darkness” is an epithet for an Ugaritic deity of the Underworld who is similar to both Baal of Peor (Belphegor) and Nergal. His name was associated with elements of the underworld and “Bird of Prey.” As such, the four songs comprising The Dust and Darkness sonically surge with grim abandon and majestic melancholy, unflinching in their familiarity but only because this is the Black Funeral whose name is legendry within the darkest depths of the black metal underground. It is altogether 17 minutes of invocation and seduction, exacted by deft hands well versed in the blackest of magick. Here, there is only The Dust and Darkness

Step forward into that dust & darkness with the new track “Dankuis Daganzipas (Dark Earth)”

Tracklisting for Black Funeral’s The Dust and Darkness
1. Dankuis Daganzipas (Dark Earth)
2. Alanni Goddess of the Underworld
3. Chemosh of the Dust and Darkness
4. Mistress of the Pit
Posted on

Special Bonus for Coffee Subscriptions

 

In collaboration to Metal Swarm Records and Dryad we have a limited amount of copies of Dryad’s newest release to add in as a special bonus for the 2nd tier coffee subscribers.

Fret not, single bag/month subscribers..we have music for you too! It will be announced as soon as it arrives in our office.

Not a coffee subscriber?

Click one of the pictures to sign up by the 14th to take advantage of this sweet bonus.

Posted on

Metal Detector Finds: A New Level

Metal Detector Finds: A New Level

A New Level

What’s better than metal?

Talking about metal of course!

From Radioactive Metal (our favorite) to Hellcast we absolutely love metal podcasts!

Today we’ve stumbled upon a new type of metal podcast. A podcast that doesnt just take a look at the consumer’s view of the metal world.

This podcast is on A New Level 

A New Level is hosted by Ozzy Osbourne bassist, Blasko. Some people may recognize him from his work with guys like Danzig, Rob Zombie, and most importantly, Cryptic Slaughter! One thing that a lot of metal fans may not know is that he has had an active career behind the scenes of the metal world for quite sometime.All while making friends, learning the do’s and don’ts of the music business.

Anyways, about the podcast.

In season 1 Blasko holds discussions with friends and colleagues who have busted their ass to get where they are. Some of these guests have worked with some of the biggest name in metal such as Slayer, Pantera and more.

It seems that with only a few minutes of listening to the first episode the intent and message are clear. He gives no image that a career in the music business is by luck. The people in the business, at least the one’s he’s interviewed so far, are where they are because of hard work and passion.

You want a career in the music business?
I would definitely recommend this podcast for any metalhead, especially anyone wanting a career in the music industry.

I didn’t really intend on this being a review. We just thought this was a really cool concept involving metal.

Available on most podcast platforms.

Listen_on_Apple_Podcasts_180px.png google_podcasts_badge_180px.png

Posted on

Metal Detector Finds: Underground Tunes

One this Metal Detector Finds we’ll simply be dropping in some bands that appeal to us. Maybe you’ve heard of them, maybe not…enjoy!

Posted on

Finland’s Morketida to release debut on Werewolf Records/Hell’s Headbangers

 

Today, Werewolf Records, in conspiracy with Hells Headbangers, sets August 17th as the international release date for Morketida‘s striking debut album, Panphage Mysticism, on CD and vinyl LP formats.

Hailing from the black metal hotbed of Finland, Morketida drive deeply into their native land’s most mystical depths. Whereas so many nowadays Finnish black metal bands derive influence from the cryogenic fury of the Satanic Warmaster axis or the paradigmatic bestiality of early Beherit, Morketidareturn to the woodland wonder of such oft-overlooked hordes of Noenum, Vritra, and Blood Red Fog’s most desolate musings. By no means plagiarists, the young mavericks behind Morketida similarly invoke a ghostly grimness, wandering within the night to thick-yet-spacious swells of ripped-raw guitar and foggy organ. Largely downtempo, this is black metal stripped of superfluous aggression but suffused with beyond-the-shade atmosphere. Indeed, this is Panphage Mysticism!

Werewolf Records is a Luciferian metal temple founded in 1998. The wolfish cry from the Carelian battlegrounds, Werewolf Records releases black metal and other dark arts motivated exclusively by theistic Satanist views of the founder Werwolf. In this age when black metal’s worth is questionable, idealism and rigor are the exception when they should be the highest law. We uphold the law of the Wolf – the destruction of the weak and the false so that the original vitality of the dark magic art can continue to grow and create the foundations for an empire. Black metal is Will and Power. We deal with material that inspires us on our journey towards our own kingdom – a kingdom that is not yours, but bears a resemblance to the one there could be for you. Now in conspiracy with Hells Headbangers, the temple of Werewolf Records shall wage its war farther and wider than ever, with no spiritual surrender.

In the meantime, hear the new track “Temple of Prevailing Darkness”

You can pre-order the album here at Werewolf RecordsBandcamp.

Cover and track-listing are as follows:


Tracklisting for Morketida’s Panphage Mysticism
1. Intro
2. Invoking the Seventh Moon
3. Witchcraft
4. Serpent’s Grail
5. Throne of Unseen
6. Panphage Mysticism
7. Temple of Prevailing Darkness
8. Outro