“It Taketh,” is a three song Demo from the Scottish duo Tryannus. Included within is just a taste of what is to come when they release their debut album next year. “The Flood,” starts out with a frenzied Black Metal style with a haunting and icy crawl in the mid section. Title track, “It Taketh,” is filled with plenty of blast beats, buzzsaw guitars and sickened vocals. The demo ends with the eerie instrumental, ” Lake of the Undying,” that utilizes some great synth work merged with a softer guitars that paint a dreamlike sequence.
Tyrannus definitely fit the mold of Lovecraftian style they are looking to achieve and it will be interesting to see what they come up with when they release their full debut album next year.
As we inch closer to shows opening back up and the year anniversary of Covid shutting everything thing down in the first place, we actually starting to see new projects and albums come emerge from this rather bleak period of time. Poison Wind bills itself as a “Quarantine Band.” The group was formed in the earlier stages of the pandemic by Brian Magar (Cultic, The Owls ANWTS) who brought together some of his musician friends from other groups to remotely compose and record 8 tracks which would become “Virus!” Mager laid down the groundwork with the drum tracks then passed the recording off to the rest of the group who supplied the guitars, bass and vocals. The band did not know who or which members they were working with at any time
With such a unique method of recording it has captured an extreme metal album the encompasses many different elements ranging from Doom, Sludge, Black, Death, Grind and even some Thrash elements. The songs themselves riff of the chaos that has been the last year with such titles as, “Branch Covidians,” “Get me out,” and “Wear a Fucking Mask!”
All of this adds up to a satisfying listen full of diversity ,some killer experimentation and good ol’ fashioned cooped up quarantine fury. More than a novelty album, this is proof something good can come out of a lockdown.
Awenden comes to you from Olympia, Washington with their second release, “Golden Hour.” This album is an incredibly atmospheric Black Metal experience from start to finish. Mostly a somber and reflective listen with bits of familiar Black Metal concepts of tremolo picking, blast beats and torchered vocals spread throughout the album. It’s enough to be relaxing and Metal as fuck at the same time. Metalheads can take some time to chill and reflect too.
Awenden has often been described as Cascadian Black Metal which is noted for its lengthy atmospheric compositions, which are awesomely abundant on this release. Most tracks on “Golden Hour” extend the 10 minute mark, but the songs flow well and before you know it, you have listened to the album in its entirety. Even those of us who may have a shorter attention span by listening to entirely too much Grindcore will find this a thought provoking and intriguing listen.
The production on this album is incredible which is important to note as many Black Metal bands have the recording quality of a Casio keyboard in someone’s parents’ basement. The record sounds full from start finish and captures the fierce flows of chaotic guitars and vocals into melancholy synth and murky and sinister arrangements.
The San Francisco Bay Area has always been a hot spot for Metal from the early 80’s Thrash scene to today. Dawn of Ouroboros proudly carry on the tradition of bringing fresh and exciting new exteme music to the masses with their debut release, “The Art of Morphology.”
This album is somewhat difficult to review but I do not mean that in any bad way whatsoever. In fact it is quite the opposite as this is an extemely great listen. Let’s start off by taking everything you know about Black Metal and toss it aside. Yes, I know that is a cliche thing to say but that principle completely applies here. From the gentle opening chords of “Revivied Spirits,” the album sets an deep atmospheric tone then hits hard into blast beats, harsh vocals and buzzsaw guitars for the second half of the song. The next song, “Pinnacle Induced Vertigo” also starts in the same kind of matter but this track has a more melodic feel. The clean vocals are really effective here as well. Vocalist Chelsea Murphy has some incredible range and talent. Normally I hate when bands mix vocal styles with a passion but somehow it the folks in Dawn pull it off.
“Gateway to Tenebrosity” is a short piano instrumental that leads perfectly into “Lunar Cathexis.” Here Murphy blends vocals styles again, going from sweet to demonic on a more Black Metal sounding track. This is the theme throughout the entire album and what leads into it’s difficulty to review. Dawn of Ouroboros are constantly changing their sound and style. The change, however, is never jarring and flows well with the rest of the song. This is a highly recommneded listen as it takes all of your preconceived notions and flips them on their head. I am sure after a few more listens, I will pick up on more subtleties and complexities.
I’ll just close this by saying, “Go forth and listen now!”
The Larval Hope is an excellent science fiction/B-Movie themed concept album composed by sole member Garry Brents. Get your popcorn ready as you prepare to listen to a brutal tales of celestial humanoid nature preserving moths as they battle an evil human army bent on total space colonization. Think Avatar but actually well worth listening to and fucking metal! There are plenty of bands that write about demons, vikings and dragons, it’s refreshing to see such an original concept here. It is also interesting to note that 90% of digital proceeds of this album’s sales will be donated to animal sanctuaries.
We have some great classic sounding Death Metal here that is reminiscent of the earlier works of Morbid Angel and even Death. While you can hear the old school influence, the album does not rely heavily on the sounds from those classic acts. There are plenty of great hooks (“Death Mutation Vs. Metallurgic Summonings” being a great example) sludgy riffs and plenty of atmosphere that keeps The Larval Hope fresh and original and not just carbon copy of tried and true Death Metal.
This is an album that is best experienced from start to finish as is the case with most concept albums. “Glimpse the Unthinkable” clocking in around 9 minutes is an excellent closer bringing in several Death Metal elements and tying it perfectly fit the The Larval Hope saga. While this album is short, you will want to spin it a few times as there is plenty of high quality material here to interest even the most elitist of metal listeners.
Most of the time, I like my Death Metal fast, aggressive and unrelenting. But sometimes I need to change the pace a little. With The Body Cosmic, Iapetus add plenty of atmosphere and progressive and technical touches to make this album a complex and satisfying listen. Don’t worry fans of extreme metal. This isn’t a snobbish prog record. There is plenty essential Death Metal aggression to spare.
What works best here is the seemingly easy fusion of both Death Metal and Black Metal to a Progressive background. The Body Cosmic is the first track and runs over 10 minutes. Most Grind fans can listen to entire discographies in this time, but don’t let the run time scare you away. The track blasts off with harsh vocals and heavy guitars. About halfway through the song takes an atmospheric turn. This change doesn’t feel jarring or abrupt. It just works. Many reviewers have this release near the top of their lists for 2019, not for nothing, this is dynamic and different release that has little something for everyone. Just when you think a part of a song is starting to feel tired, they change it up with a different style or a different pace.
And this where The Body Cosmic really shines, in it’s instrumental structures. Progressive music often gets a bad wrap for it’s complex and longer songs. Iapetus have mastered the prefect balance to keep both fans of Progressive and Extreme Metal happy. The Body Cosmic is so full of atmospheric energy it sets itself up for multiple listens.
Be sure to give this album and do not let the 70 minute run time intimidate you. This is an epic, almost spiritual and reflective piece to listen to. Sometimes it’s good to slow down. Pure yourself a nice cup of (Black!) coffee and give this a spin.
Zeal and Ardor is an experimental metal act fronted by Manuel Gagneux. The project brings a fusion of blues, Gospel, and spiritual melodies together with scathingly dark metal overtones to create a murky, soulful, harsh, headbanging new sound. Zeal and Ardor achieved critical acclaim with the first album release “Devil is Fine” in 2016, and what began as a joke brought about by the suggestion of 4chan users to mesh spiritual melodies and black metal became an international act.
Now Zeal and Ardor returns with sophomore effort promising to be more poignant, more precise, and more diverse. “Strange Fruit” is set for release on June 8, 2018 via MVKA. Can Zeal and Ardor top “Devil Is Fine” with their new creation?
With the first single, “Gravedigger’s Chant”, Gagneux delivers a dark, inviting, burial ode. His vocals are nothing short of perfect crooning over the bluesy piano chords and thunderous beat. The first track succeeds at grabbing attention indeed.
“Waste” is unrelenting with heavily distorted tremolo riffing, blast beats, and maniacal howls hearkening to the glory of Norwegian black metal. The raw, violent brutality of the music contrasts strikingly against Gagnuex’s melodic vocals, it’s very provoking; downright spellbinding even the way Gagneux can bring together such starkly different sounds into a cohesive metal monolith. “Built on Ashes” builds on heavily distorted guitar and somber piano chords drawing again on that wonderful contrast between bluesy southern spiritual and maniacally dark metal.
I was very excited to see “Don’t You Dare” on the tracklist. This is probably my personal favorite Zeal and Ardor song. The song features well crafted blues licks and flawless execution of damningly heavy black metal-esque riffing paired against harsh, tortured vocal shrieks. The heaviness of the song builds up into a wall of black that hits you head on and knocks you on your ass just to spit you back out into the cool delta blues before launching another vicious attack.
I’m certainly looking forward to giving the rest of the album a listen when it drops on June 8. I anticipate more enchanting things to come based on what I’ve heard so far, and I’m curious to see what the rest of the Trve Kvlt Community thinks. (By the way if you haven’t checked out “Devil is Fine” I strongly encourage you to give that a shot.)
