Tag: Death Metal

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LETULARIUS – Parasitic Subjugation – REVIEW

 

Lectularius bills itself as a “Brutal parasitic Death Metal from Dayton, Ohio.” This is a pretty apt description. When you stop to think about, bed bugs are fucking brutal and metal as hell. They feast on your blood as you sleep, multiply alarmingly fast, are seemingly impossible to kill and always return just like any good movie villain. It’s a surprise metal bands don’t sing about parasites as much. The name of the album, “Parasitic Subjugation,” is the perfect title to describe the type of music that’s in store with plenty of horrific tales of disgusting and terrifying minute blood suckers. The voice overs that introduce the songs are a nice touch and just as horrifying as the songs themselves. 

 

Parasitic Subjugation is a treat for fans of old school brutal Death Metal. Plenty of crunchy, heavy riffs, deep guttural vocals and screams pound their sound into your skull. The group also manages to add a touch of Grindcore to mix things up. There are only 5 songs on this release, but each song varies enough to warrant several replays. Hopefully the world gets it’s shit together as this would be a cool act to catch live. This a classic no frills unapologetic Brutal Death Metal album that may leave double checking your bed for unexpected visitors before turning off the lights 

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SHEZMU – A Travers Les Lambeaux – REVIEW

 

Shezmu is basically the Egyptian demon god of wine, oils, blood and slaughter, which makes for a fucking epic band name. The band lives up to the expectations of their namesake by delivering an absolutely crushing debut album.

 

The lower end guttural vocals are perfectly blended into the sonicscape of maniacal musicship that goes from lurches along one moment to fast and frenzied burst the next. Shemzu perfectly blends the best elements of extreme Metals like Doom, Death, Black and even some atmospheric bits like some sort of twisted alchemist. With thick and meaty groove riffs that quickly change tempo alongside some solid drumming, pounding bass and wild variety of vocal effects, Shemzu are putting something out that is both fresh and familiar. 

“Les Secrets des Ziggourats,” has an amazing mid song groove, alongside some incredible blackened thrash and some additional haunting vocals to great effect. The interlude ,”La Rage,” is haunting and eerily relaxing instrumental that perfectly breaks up an otherwise rather intense album. 

With plenty of unrelenting brutality expertly mixed with intense and almost hallucinogenic atmospheric vibes,” A Travers Les Lambeaux” is a truly unique take on tried and true Extreme Metal components while remaining faithful to the source material. 

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CHRONICLES – War Machine – REVIEW

 

Hailing from Dhaka, Bangladesh, ChroninicleS formed in 2015. After honing their craft for a few years the band independently released their debut EP, War Machine, in November 15th 2019. Bangladesh may not be well known for extreme Metal but the dudes in ChronicleS have sure done thier homework.

With plenty of fresh and evil energy with a hint of the old school Death Metal vibe, War Machine has plenty to like. The EP starts of with Call Your God. This track sets the tone with evil guttural  and screaching vocals, pounding bass and some impressive riffing. Add in some killer drum work with some intense blast beats and you have great intro track.  The next song, কসাই বধ (your guess is as good a mine) is a shorter track with a nice ambient feel midway through the song. The title track, War Machine, is the stand out on this EP with some great guitar work from the fiendish riffs that will have you banging your fists to th blast beats that will tear down walls. The screaching vocal style is extremely effective hear. Anubis the Perserver of Osiris nicely finishes the EP. The track starts of with a burst of speed and nasty agression and slows down with some great guitar solo trade offs before ending.

With only 4 tracks and a little over 15 minutes of music, War Machine was made for multiple listens as you drink your morning Kaffe Storm Coffee and finish your brutal drive to work.

 

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DAWN OF OUROBOROS – The Art of Morphology – REVIEW

 

The San Francisco Bay Area has always been a hot spot for Metal from the early 80’s Thrash scene to today. Dawn of Ouroboros proudly carry on the tradition of bringing fresh and exciting new exteme music to the masses with their debut release, “The Art of Morphology.”

This album is somewhat difficult to review but I do not mean that in any bad way whatsoever. In fact it is quite the opposite as this is an extemely great listen. Let’s start off by taking everything you know about Black Metal and toss it aside. Yes, I know that is a cliche thing to say but that principle completely applies here. From the gentle opening chords of “Revivied Spirits,” the album sets an deep atmospheric tone then hits hard into blast beats, harsh vocals and buzzsaw guitars for the second half of the song. The next song, “Pinnacle Induced Vertigo” also starts in the same kind of matter but this track has a more melodic feel. The clean vocals are really effective here as well. Vocalist Chelsea Murphy has some incredible range and talent. Normally I hate when bands mix vocal styles with a  passion but somehow it the folks in Dawn pull it off.

“Gateway to Tenebrosity” is a short piano instrumental that leads perfectly into “Lunar Cathexis.” Here Murphy blends vocals styles again, going from sweet to demonic on a more Black Metal sounding track. This is the theme throughout the entire album and what leads into it’s difficulty to review. Dawn of Ouroboros are constantly changing their sound and style. The change, however, is never jarring and flows well with the rest of the song. This is a highly recommneded listen as it takes all of your preconceived notions and flips them on their head. I am sure after a few more listens, I will pick up on more subtleties and complexities.

I’ll just close this by saying, “Go forth and listen now!”

 

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AKURION – Come Forth to Me – Album Review

 

From Montreal, Canada comes Akurion and they are here to kick your ass with some brtual Death Metal. No matter how you like your Death Metal; technical, melodic, blackened, etc, this debut album is worth a listen for any fan of exteme music. It come as no surprise here as Akurion features members of Cattle Decapitation and Cryptopsy, you know you are in for a treat of killer riffs and brutal melodies.

From the opening track, Leave them Scars, Akurion, comes off with a vengeance with growling vocals courtsy of Mike DiSalvo and the pounding bass of Oli Pinard. Pedals from a Rose… slows things down a bit but does not skimp on the brutality. Souvenir Gardens is an epic piece clocking in at a little over 11 minutes. It begings with an incredible atmospheric piece that has classical feel to it that is rounded out quite well with some acoustic guitar work. Year of the Long Pig is an unapologetic crushing piece that comes off as raw and chaotic and one of the best tracks featured here.

Come Forth to Me is an enjoyable debut from a Death Metal, “super group” that does not feel it was just piece together as a side project as most of these types of collaborations can often feel. This album was made for multiple listens with it’s raw, gritty, melodic and atmospheric riffs ,pouding and grooving bass lines and crushing vocals. This is a well crafted album that will perfectly fit in your library.

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SALLOW MOTH – The Larval Hope – Album Review

 

The Larval Hope is an excellent science fiction/B-Movie themed concept album composed by sole member Garry Brents. Get your popcorn ready as you prepare to listen to a brutal tales of celestial humanoid nature preserving moths as they battle an evil human army bent on total space colonization. Think Avatar but actually well worth listening to and fucking metal! There are plenty of bands that write about demons, vikings and dragons, it’s refreshing to see such an original concept here. It is also interesting to note that 90% of digital proceeds of this album’s sales will be donated to animal sanctuaries.

We have some great classic sounding Death Metal here that is reminiscent of the earlier works of Morbid Angel and even Death. While you can hear the old school influence, the album does not rely heavily on the sounds from those classic acts. There are plenty of great hooks (“Death Mutation Vs. Metallurgic Summonings” being a great example) sludgy riffs and plenty of atmosphere that keeps The Larval Hope fresh and original and not just carbon copy of tried and true Death Metal.

This is an album that is best experienced from start to finish as is the case with most concept albums. “Glimpse the Unthinkable” clocking in around 9 minutes is an excellent closer bringing in several Death Metal elements and tying it perfectly fit the The Larval Hope saga. While this album is short, you will want to spin it a few times as there is plenty of high quality material here to interest even the most elitist of metal listeners.

 

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IAPETUS – The Body Cosmic – Album Review

 

Most of the time, I like my Death Metal fast, aggressive and unrelenting. But sometimes I need to change the pace a little. With The Body Cosmic, Iapetus add plenty of atmosphere and progressive and technical touches to make this album a complex and satisfying listen. Don’t worry fans of extreme metal. This isn’t a snobbish prog record. There is plenty essential Death Metal aggression to spare.

What works best here is the seemingly easy fusion of both Death Metal and Black Metal to a Progressive background. The Body Cosmic is the first track and runs over 10 minutes. Most Grind fans can listen to entire discographies in this time, but don’t let the run time scare you away. The track blasts off with harsh vocals and heavy guitars. About halfway through the song takes an atmospheric turn. This change doesn’t feel jarring or abrupt. It just works. Many reviewers have this release near the top of their lists for 2019, not for nothing, this is dynamic and different release that has little something for everyone. Just when you think a part of a song is starting to feel tired, they change it up with a different style or a different pace.

And this where The Body Cosmic really shines, in it’s instrumental structures. Progressive music often gets a bad wrap for it’s complex and longer songs. Iapetus have mastered the prefect balance to keep both fans of Progressive and Extreme Metal happy. The Body Cosmic is so full of atmospheric energy it sets itself up for multiple listens.

Be sure to give this album and do not let the 70 minute run time intimidate you. This is an epic, almost spiritual and reflective piece to listen to. Sometimes it’s good to slow down. Pure yourself a nice cup of (Black!) coffee and give this a spin.

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FUMIGATED – Composted Album Review

Both bands for this month’s reviews are from Ohio. Ever been there? It can be fucking brutal. Fumigated are just your average group of no good illiterate rednecks from the swamps of Lima, Ohio. (and here you thought the cast of Glee were the only notable musicians from that area)

If you like your music crusty, nasty and covered in piss then this is the album for you. Composted is an excellent name for this album as it feels like it is a trashy blend of early grind and death metal, it reminds me of many of the early Earache recordings. Let’s start off with the vocals. I’m not even sure it’s human. My best guess is that it is some sort of pig gargling bleach mixed with broken glass. Seriously, they are fucking sick! This along with blast beats and some early Carcass Reek of Putrefaction sounding riffs give Fumigated a really killer debut album. This band still has plenty of room to grow from here and it will be exciting to see where they take it next.

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CRUCIFIED MORTALS – Converted by Decapitation Album Review

Crucified Mortals brings old school thrash from Cleveland, Ohio. Playing 80’s inspired thrash has been popular with many new metal groups over the last few years with no slow down of the trend in sight. Luckily, Crucified Mortals are not a band that relies heavily on a gimmick or genre.

Most of this EP sounds like a cross between early death metal and thrash. Craig “Reaper” Horval lays down some seriously angry vocals here that are strong and howling, sounding somewhere in between classic Venom and even the more modern black thrashers Midnight. The layered riffs on this release are sure to have many banging their heads along with their darkened and dedicated thrash melodies. Sentenced to Extermination starts off with a haunting voice over regarding Nazi gas chambers only to be brutally followed by sick lyrics, pounding drums and intense leads. If this song dosen’t get you into the pit, nothing will.

Converted to Decapitation does an excellent job of flying the flag of well revered “Bay Area Thrash” scene and is definitely worth checking out even if you are not a die hard thrash fan with a denim vest covered in patches, blood and piss.

 

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Metal Detector Finds: FUMIGATED – “Composted”

Here we have Death/Grind band Fumigated from Lima, Ohio, USA with their debut, Composted. It’s a fun little album, for sure.

“Formed in the pungent depths of a Ohio swamp, three of the toughest illiterate rednecks banded together to form the most important band of your puny, pathetic life. FFO, Broken Hope, Immortal Fate, Old Napalm Death, room temperature beer.
WARNING! Not for week pencil necked losers!”
-Fumigated Bandcamp Page