Tag: doom metal

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SHEZMU – A Travers Les Lambeaux – REVIEW

 

Shezmu is basically the Egyptian demon god of wine, oils, blood and slaughter, which makes for a fucking epic band name. The band lives up to the expectations of their namesake by delivering an absolutely crushing debut album.

 

The lower end guttural vocals are perfectly blended into the sonicscape of maniacal musicship that goes from lurches along one moment to fast and frenzied burst the next. Shemzu perfectly blends the best elements of extreme Metals like Doom, Death, Black and even some atmospheric bits like some sort of twisted alchemist. With thick and meaty groove riffs that quickly change tempo alongside some solid drumming, pounding bass and wild variety of vocal effects, Shemzu are putting something out that is both fresh and familiar. 

“Les Secrets des Ziggourats,” has an amazing mid song groove, alongside some incredible blackened thrash and some additional haunting vocals to great effect. The interlude ,”La Rage,” is haunting and eerily relaxing instrumental that perfectly breaks up an otherwise rather intense album. 

With plenty of unrelenting brutality expertly mixed with intense and almost hallucinogenic atmospheric vibes,” A Travers Les Lambeaux” is a truly unique take on tried and true Extreme Metal components while remaining faithful to the source material. 

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CURSEWIELDER – Arma Christi – REVIEW

 

Not much is known about the mysterious Cursewielder. The group hailing from South Ireland, released their debut demo EP, Arma Christ via Fomorian Hate Recordings earlier this year. With only 3 songs, it’s a short but powerful listen. The recording is extremly raw, dark and murky as fuck. Just the way we like it!  This demo is covered in plenty of harsh vocals, crushing riffs and an enveloping and ever present darkness. Orifice Mysticism brings the speed and fury mixed in with some evil ambience for good measure. Hordes starts off with a sludgy doom like pace before killing it with the blast beats and going back to the sludgy style. Cursewielder does a great job transitioning smoothly between styles. Evulsion Spectre closes out the demo with some killer some classic thrashy and old school sounding Black Metal.

Cursewielder has already gone into a second printing of this release at the time of this review as they are already begining to cause a stir in the extreme underground. It will be interesting to see what they have in store for us when the release a full album.

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DAWN OF OUROBOROS – The Art of Morphology – REVIEW

 

The San Francisco Bay Area has always been a hot spot for Metal from the early 80’s Thrash scene to today. Dawn of Ouroboros proudly carry on the tradition of bringing fresh and exciting new exteme music to the masses with their debut release, “The Art of Morphology.”

This album is somewhat difficult to review but I do not mean that in any bad way whatsoever. In fact it is quite the opposite as this is an extemely great listen. Let’s start off by taking everything you know about Black Metal and toss it aside. Yes, I know that is a cliche thing to say but that principle completely applies here. From the gentle opening chords of “Revivied Spirits,” the album sets an deep atmospheric tone then hits hard into blast beats, harsh vocals and buzzsaw guitars for the second half of the song. The next song, “Pinnacle Induced Vertigo” also starts in the same kind of matter but this track has a more melodic feel. The clean vocals are really effective here as well. Vocalist Chelsea Murphy has some incredible range and talent. Normally I hate when bands mix vocal styles with a  passion but somehow it the folks in Dawn pull it off.

“Gateway to Tenebrosity” is a short piano instrumental that leads perfectly into “Lunar Cathexis.” Here Murphy blends vocals styles again, going from sweet to demonic on a more Black Metal sounding track. This is the theme throughout the entire album and what leads into it’s difficulty to review. Dawn of Ouroboros are constantly changing their sound and style. The change, however, is never jarring and flows well with the rest of the song. This is a highly recommneded listen as it takes all of your preconceived notions and flips them on their head. I am sure after a few more listens, I will pick up on more subtleties and complexities.

I’ll just close this by saying, “Go forth and listen now!”

 

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TOMBTOKER / HAZE MAGE – Split – REVIEW

 

My first impression of this album based on the psychedelic looking Dungeons and Dragons inspired artwork, is that it looks like a cross between Eddie from Iron Maiden and Rita Repulsa from The Mighty Morphin Power Rangers. That may sound like an offbeat and strange comparison but it somehow works. Tombtoker and Haze Mage are a strange combination that also somehow just works. Both bands come from a very Doom and Sludge background and can lay out some heavy and thick grooves.

Tombtoker is the heavier of the 2 with guttural vocals and sludgy guitars tones. Braise the Dead is a catchy opener with some great riffing and killer grooves. Botched Bastard (which is a great song title) slows things down but keeps the heaviness.

Haze Mage is on the other side of the spectrum here with their Sabbath meets Sleep style of hazy guitars and Doom and Groove sound. Sleepers takes you on a trip back in time of thick smoke covered venues and 70’s stoner jam bands. Pit Fighter is more upbeat with some great tempo changes and crawling solos.

Splits are a great way to introduce yourself to a band you may have never heard or heard of before. This split does an incredible job of taking 2 different types of bands with the same sound that go great together.

Find this EP in this month’s Coffee Subscriptions!

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THRONE OF MALEDICTION – Perfect Tragedy – Album Review

If watching Mountain Men has taught me anything, Montana can have some brutal and unrelenting winters that takes a total bad ass to survive. Throne of Malediction are a Blackened Doom Metal band from the Metal as fuck state of Montana fronted by Eric Sartana Horner. Horner is a musical beast who performed Guitars/Bass/Keys and Vocals on all tracks. This EP is a little something old and a little something new. The first three songs are brand new recordings while reminding tracks are demos and covers the group recorded throughout their history.

Legacy of Sorrow is outstanding track with some crunchy riffs, melodic shifts, growling vocals as well as some epic sounding keys. Horner even manages to lay out some clean vocals here that work well and do not feel forced or out of place. The title track, Perfect Tragedy, clocks in at nearly ten minutes that really showcases Throne of Malediction’s Blackened Doom flavor. Horner leads the listener on a darkened path of crooning guitars, melodic riffs and some impressive solos. The vocals are gruesome and on point bringing this epic saga together.

The demos included on this release are also worth checking out for their dirty and raw feeling alone. The covers included are pretty damn good as well. Nailbomb’s Cockroaches has new feel with Horner’s vocals. And speaking of vocals….Horner included a haunting acoustic cover Danzig’s I Don’t Mind the Pain. Danzig is a tough act to follow in the vocal department but not only did Horner nail the cover (with clean vocals!) here he managed to make it his own

 

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