Tag: Review

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MYRDOD – The Mourning Hollow – REVIEW

The Pennsylvania duo unleash a portal into a dank a swampy void of Hell with their latest release, ” The Mourning Hollow.” Myrod provide plenty of thick Black Metal atmospheric chaos that warps the mind as they take you with them beyond this realm. The recording is just as thick and murky as any good ol’ classic Black Metal sound should be with echoing rasps and tortured screams oozing through each track. “Orb Weaver,” starts the album with a somber and eerie tone that gradually adds in blast beats drums and guitars like a rolling storm. “Drom,” is the standout song here with sick guitar riffs that make you want to put your fist through a wall, inhuman garbage disposal sounding lyrics  It’s a brutal assault on the senses that will leave you scrambling to pick your brains off of the floor. (Naturally, in a good way.)  “Diabolical Ancient Blessing,” closes things out with enough adrenaline and speed to leave you thirsty enough for another spin.

Myrod’s blending style of raw Black and touch of Death Metal is a brutal and spiritual assault that is as melancholy as it is savage. A must listen for this Holiday season.

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STENCH COLLECTOR – Effluviatorium – REVEIW

The selection of music in this month’s coffee subscription is full of incredible and brutal and ripping bands. I have heard nothing about Stench Collector prior to this review but I was already loving the band by their name alone, add the gross and gruesome cover art and I’m sure I would have pick this up to satisfy my morbid curiosity alone.

The EP starts off with an eerie narration of a young child talking about boiling a cat followed by some realistic (and nauseating) chewing sounds. Now that’s a start! Adding thick and meaty grooves with sick and twisted lyrics belched out with some impressively deep guttural vocals, you have a band that has clearly earned the right to call themselves Stench Collector.

“Effluviatorium Du Jour “serves up a full meal with their debut EP. Riffs and grooves rip through each track while the drums perfectly hammer in the chaos and deliver a well balanced debut EP. For those who like like their Death Metal raw, gory and dripping with power, this gross out group out of Rhode Island deliver the goods. While most of their material here is sludgy and mid tempo, Stench Collector is not afraid to put in a few bursts of speed as well, which can be  heard most notably on the track, “Eye Socket Maggots. Production is slick and is reminiscent of the Scott Burns days at Morrisound. Redefining Darkness Recordsare bringing old school Gore Metal to the next generation.

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INHUMAN CONDITION – Rat God – REVIEW

 

 

It is often said that you shouldn’t judge a book by its cover, but I can’t help myself with this one. I would pick this album up based on its artwork alone. With one quick glance at this retro throwback looking cover it looks and feels like it came out of the 1988-1991 golden era of Death Metal where Death, Obituary and Deicide were kings. But holy fuck! Rat God have nailed the old school Death Metal sound. Riffs are filled with hooks, heavy grooves and mid tempo to skull crushing beats. If you are in any way a fan of Death, specifically the “Spiritual Healing era”, this is a must for your collection.  The opening to Gravebound sounds like Schuldiner himself some how appeared on this album. Hell, if you are just a casual fan of Death Metal, this is required listening for the nostalgic factor alone. Hundreds of Metal bands have been riding the retro wagon for years, but Inhuman Condition not only excels well above others but their sound feels true and genuine and not forced.

“Rat God” was originally intended to be a new Massacre album (Notice that logo font?) that was conceived by Jearmie Kling and Taylor Nordberg.  Death Metal god, Terry Butler whom has been a part of more Death Metal bands than I have room to include, teamed up with the duo to help finish the album.  Rat God will pull you in from the opening screams of “Euphoriphobia” and leave you savagely salivating for more by the time you hear the last notes of “Fait Accompli.” Man. What do they put in the (swamp) water in Florida? If you enjoy meat and potatoes, tried and true, classic Death Metal, this one is for you. Highly recommended.

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GRAVE DESECRATOR – Sign of Doom – REVIEW

Our second review for the month also borrows their sound heavily from Brazilian legends Sarcofago and early Sepultura. Also hailing from Brazil, (whatever is in the water there, is sure doing a great job of producing Metal bands) Grave Desecrator are ready to fuck shit up with their 2008 full length release, “Sign of Doom.”  Nasty and raw are two words that can sum up the sound happening here. There is plenty of sacrilege and chaos going in the music and lyrics to get even the most jaded Metalhead’s dark blood pumping. The pacing of the album is the perfect blend of speed without being too fast that it becomes a wall of noise or treads into Grindcore territory. It plods along with a nasty (and fulfilling) blasphemous fury. Lyrics are barked out in a filthy, venomous fury in the Old School Extreme South American Metal tradition.

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ETERNAL ARMAGEDDON – In Light In Dark In Hate – Album Review

 

Black Thrash Bastards is the perfect opening track for this debut album from the Bangladesh trio Eternal Armageddon. It kicks you hard in the teeth from the get go with thrashy guitars, raspy vocals and punishing drumming. They sound and feel like a bunch of Black Thrash Bastards. Seriously. This is pure trashy classic Bay Area inspired Thrash sprinkled with heavy does of Black Metal and cooked to perfection. Fans of Midnight, Venom and Sodom will want to pick this one up quick. Hell, fans of Metal should check these guys out.

Vocals are filthy, guitars are buzzing and drums are blasting, yet this is an extemely captive listen with plenty of octane to keep you coming back for more. Hazam the Black Reaper manages to slow things down for just a moment before going for an early NWOBM sound. It is just as awesome as it sounds. The guitar work for the rest of the album is very heavily Thrash influenced but works oh so well. Once the plague of COVID-19 is over, I can see huge circle pits forming anytime this band takes the stage.

In Light In Dark In Hate is a solid listen from start to finish. Incredible hooks, slick production and enough raw energy to put them at the top of their tier.

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SALLOW MOTH – The Larval Hope – Album Review

 

The Larval Hope is an excellent science fiction/B-Movie themed concept album composed by sole member Garry Brents. Get your popcorn ready as you prepare to listen to a brutal tales of celestial humanoid nature preserving moths as they battle an evil human army bent on total space colonization. Think Avatar but actually well worth listening to and fucking metal! There are plenty of bands that write about demons, vikings and dragons, it’s refreshing to see such an original concept here. It is also interesting to note that 90% of digital proceeds of this album’s sales will be donated to animal sanctuaries.

We have some great classic sounding Death Metal here that is reminiscent of the earlier works of Morbid Angel and even Death. While you can hear the old school influence, the album does not rely heavily on the sounds from those classic acts. There are plenty of great hooks (“Death Mutation Vs. Metallurgic Summonings” being a great example) sludgy riffs and plenty of atmosphere that keeps The Larval Hope fresh and original and not just carbon copy of tried and true Death Metal.

This is an album that is best experienced from start to finish as is the case with most concept albums. “Glimpse the Unthinkable” clocking in around 9 minutes is an excellent closer bringing in several Death Metal elements and tying it perfectly fit the The Larval Hope saga. While this album is short, you will want to spin it a few times as there is plenty of high quality material here to interest even the most elitist of metal listeners.

 

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SLAYER “FINAL CAMPAIGN” Tour Review

 

When Slayer announced they would embark on their farewell world tour in January of 2018, the collective cry of thousands of Metalheads could be heard screaming, “Nooooooo!”. Fortunately, Slayer has had several legs on this tour giving their fans plenty of opportunity to say goodbye to one of Metal’s most legendary and enduring bands.

 

In November, Slayer began their “Final Campaign” portion of the tour with what promises to be their last EVER tour dates, Joining them on this leg are Phil Anselmno and the Illegals (performing a special Pantera set), Ministry and Primus.

 

I was able to make it out to their recent show in Louisville, Kentucky. To say there was excitement in the air would be an understatement as excited screams of, “SLAYYYYEERR!” began to fill the KFC Yum Center in anticipation for what may be the last chance for many to see the Thrash Titans. Finally the lights dimmed and the familiar pentagram logo began to float in front of the large black curtains. Flames and fury were heavy from the get go as the band exploded into “Repentless”, “Mandatory Suicide” and “War Enesemble.” At some points the pyro used for the show was so heavy, I thought the band may have actually opened a portal to Hell. There were enough flames to make the California wildfires blush.  This was fucking metal. This was fucking SLAYER! Slayer performed many songs from their over 30 year catalog.”Seasons in the Abyss”, “South of Heaven” and “Chemical Warfare” were huge highlights for me.  For fans who may have been lucky to see them before on their farewell tour, they added a few new classics to this set: “Jesus Saves,” and a rare performance of “Show No Mercy,” from their 1983 debut album.

 

Slayer hasn’t been much for chatting up the crowd in past shows and nothing has changed for this final run of concerts. Tom Araya prefers to let the brutality of the music do all of the talking. Kerry King with his imposing tattooed look nailed every classic solo with ease. Paul Bostaph was on par with original drummer Dave Lombardo, proving that he is worthy of the Slayer Legacy. Gary Holt with his “No Lives Matter” shirt looked and sounded like he has been with the band from the beginning. This is truly a group that is going out on top. And the fans could not have enjoyed it any more as furious pits broke out across the entire floor of the arena. The rest of the fans who had seats to witness this show stood, headbanged and screamed aloud as they could to bid a fond farewell to band that many have listened to their entire lives. People came out in droves to pack the house from the older fans who have been there since day one and the younger fans who may have just discovered the Slaytanic Army.

 

Closing with perhaps their greatest contribution to Thrash Metal, “Angel of Death”, the evening came to an end. The usually quiet Tom Araya took a moment to thank the crowd for their years of support and how important they have been to his life.

 

Can this really be the end of Slayer? Will they play any one off dates? Maybe another Big Four Show? We will have to wait and see. One thing is for certain there will never be another Slayer.