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VEILCASTE – Precipice – REVIEW

 

 

 

From our good friends at over at Wise Blood Records comes the third release from Indianapolis Sludge masters, VeilcastePrecipice is full of deep and murky riffs that weigh thick and heavy in the air. Along with this, Veilcaste manages to create plenty of cosmic and spaced out atmosphere. Precipice is sure to please any fan of Stoner or Doom music.

Velicaste keeps the music rather simple throughout the recording. There is no overproduction here. They guys don’t stay too long playing one long riff.  However, the album is packed full of plenty of dragging and dirty riffs. (that don’t overstay their welcome)  The guitar tones are low with plenty of fuzz, playing in more of a Stoner style. You will find yourself slowly headbanging along to this release, maybe even sparking some herbage. (or go hardcore and drink an Arnold Palmer like in my case)

Vocals come of in a much more “hardcore” style than usually seen in this genre. There is also a little bit of clean singing sprinkled in here and there that actually works really well on this recording.This along with the underlying atmosphere Veilcaste manages to craft some weill written and structured songs.

All in all, it’s not a bad listen and feels like a nice palate cleanser to the extreme music that I usually punish my ear holes with.I have always been more of a speed freak when it comes to my music but Veilcaste may be one of those bands that will leave me venturing out and seeking out more bands in the Doom and Sludge Metal genres.

 

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VELICASTE/TUSK – Split – REVIEW

This split is so jam packed full of thick and murky sludge material that it is highly recommended that you put on a good pair of rain boots and a chest wader before diving into this release. Veilcastle and Tusk each contributed 3 tracks of full of doom, dark atmosphere and despair.

Veilcastle opens the split with “Dust and Bone,” a dark and warm track with some clean deep and massive vocals. “Mirrors,” has a strong groovy and stoner metal vibe with deep grooves that plod along. Their final contribution to this split is a cover of The Misfit’s “Return of the Fly”, which is an interesting choice. They manage to take the original punk classic, cover it in a thick sludge and turn it into a much more haunting take than the original.

Tusk take over on the second half of the split with a more sinister take on the genre. The vocals have a much more sinister feel that deliver an all together darker sound. Their first track “Disquiet,” benefits from the use of keyboards and synths for a truly darkened and uneasily feeling. “Entering the Flesh,” offers some clean vocals into the mix for a slightly less heavy track but still manages to pack plenty of atmosphere. A cover of Cannibal Corpse’s “Festering in the Crypt,” closes things out. Tusk’s vocal delivery is sinister here and their murky approach to the song does justice to the original.