Category: Atmosperic

Posted on by — Leave a comment

RESTLESS DREAMS – Review

 

I freakin’ love Graveripper. Loud, fast and filthy they are totally my jam. Corey Park is the vocalist, guitarist and one of the main writers for Graveripper, and his latest offering, Restless Dreams is another banger but for completely different reasons.

Parks created an eerie soundscape with his Restless Dreams project that is heavily influenced by the survival horror video game series, Silent Hill. Having never played a game in the series, I can’t compare the album to the game but I can totally feel the uneasiness, wonder, and terror tensions in the music.

Unlike other ambient albums, Ward goes for more of an industrial approach, leaning into much more of a video game feel. The opening track sounds exactly like what one would hear as they load the title screen and begin their epic adventure.  Whereas, the closing track sounds like something that would play over the closing credits.

Again, I’m not sure how well the songs aline with the source material, I can confidently say even without any of that knowledge, I enjoy the hell out of this release.

Now I’m going to hunt down a cheap copy of Silent Hill.

Posted on by

VEXING HEX – Solve Et Coagula

 

They told me it would never happen. Hell. I was firmly convinced that they were correct.

But..

My blackened little thrasher heart loved this album. I smiled as I jammed to an album with no growls, no pig squeals or corpse painted frontmen spitting blood. (There could still be time for this one though.) Sure the music is softer than my normal listening but this album is just too damn fun.

While the album cover may not look out of place in the Death Metal section, Vexing Hex play an Occult/Stoner/Groove style that stays in the ear long after the album has finished. With some awesome harmonies, catchy riffs and just the right amount of darkness, this is the perfect record to listen to as summer winds down.

“One Thousand Eyes,” is super punchy and makes great use of some added synths to make the track a little more trippy. When “Vviccaphobia,” sounds like it could have come from Ghost or an undiscovered underground 70’s occult band.

With their fuzzy tones, warm vocals and occult worship, Solve Et Coagula is worth checking out even if every T-shirt you own is black, beer stained and bears an unreadable band logo. You want lost your Kvlt points.

Well, probably not.

 

 

Posted on by

HEMPLIFIER – The Stoner Side of Doom – REVIEW

 

Alright friends. Grab a seat. Take off your shoes. Lean back and relax. We are going to take off on a journey through the stars with Hemplifier. The group’s debut album is 6 tracks of weed and riffs worship.

Just as their band name and album title suggest, Hemplifier play slow and heavy riffs filled with plenty of fuzz and bong fumes. The 6 track album starts off with “Headless Chicken,” that features a slow drum march. Their sound goes a few steps further with the next track, “Brujo.” The track sludges along for some time until the haunting and howling vocals kick in. While there is plenty of slow and heavy riffing there isn’t much on the vocal front on this album.

This is pretty much the stage that Hemplifier has set. 7 to 8 minute tracks of sludgy, fuzzy and mellow riffing with the occasional howl or scream. Just like Sleep or Weedeater you can practically smell the ganja in these tracks. Keeping it simple Hemplifier have cooked up a nice little listen for the times you just want to relax and let the music take you.

Or you’re just giving your neck some rest.

 

Posted on by

GYRDLEAH – Spellbinder – Review

Often I stream albums for review during my day job. It’s a great way to kill two birds with one stone and makes the work day much more enjoyable. However this album gave me pause. Spellbinder does not work well with the exciting world of Excel Spreadsheets.

That’s not a dig in the slightest. Gyrdleah’s long awaited debut album is meant to be savored and digested with minimal distractions. The band was formed in the UK back in 2005 and took until just this year to release what is considered their “debut” album. While the group did manage to release an EP back in 2011, this is their first full length.

Grydleah perfectly deliver plenty of Black Metal staples with their sound from the low-fi production, eerie treble and savage shrieks. Most of the album has a slow and somber feel as the songs lurch and lumber from track to track. The band includes a good amount of clean vocals in their attack. While many extreme metal fans balk at even the mention of clean vocals, Grydleah make great use of them. Often their tracks are darker even more bleak with them.

Another reason why it was difficult to work and review this album was that it took a few spins for the sound to sink in. There is a lot going on here as the music often easily goes from savage to somber and vice versa. There is a lot to unpack here. The more you listen, the more you pick up the next time.

Opening track, “Stab the Lamb,” starts with a crawl and soon sees the band at their fastest towards the middle of the song.It is also the perfect song to open to as it gives you an idea of what is in store. All in all, if you are looking for some depressive black doom that dosen’t get old after several spins, be sure to check this one out!

 

Posted on by

SORROWFUL LAND- Faded Anchors of the Past – REVIEW

One man bands impress the hell out of me. I could hardly play the recorder in elementary school, so this level of virtuosity is way beyond anything I could dream of achieving. Max Molodtsov is the magician behind Sorrowful Land which he formed in 2014. Based in Kharkiv, Ukraine, Molodtsov is a member of several other Ukrainian metal bands which span over several different genres.

Faded Anchors of the Past is a huge treat for fans of atmospheric Doom Metal. It’s perfectly melds tragic and somber tones that feel equally as strong and powerful. This is the perfect soundtrack to let your mind drift and have the music carry you away. The contrast of soft clean vocals and some impressive growls are a nice touch and have an early Amorphis Tales of a Thousand Lakes feel on some of the tracks.

Each of the eight songs included here are a separate story to a complete journey. Although the album is over an hour in length, Molodtsov does a fantastic job keeping the listeners attention as everything flows so expertly well. From the piano fills to the heavy and plodding riffs, this album checks every mark on what it takes to make a fantastic Doom album.

Keep an eye on this release as it’s sure to show up in many album of the year lists for 2023.

Posted on by

VEILCASTE – Precipice – REVIEW

 

 

 

From our good friends at over at Wise Blood Records comes the third release from Indianapolis Sludge masters, Veilcaste.  Precipice is full of deep and murky riffs that weigh thick and heavy in the air. Along with this, Veilcaste manages to create plenty of cosmic and spaced out atmosphere. Precipice is sure to please any fan of Stoner or Doom music.

Velicaste keeps the music rather simple throughout the recording. There is no overproduction here. They guys don’t stay too long playing one long riff.  However, the album is packed full of plenty of dragging and dirty riffs. (that don’t overstay their welcome)  The guitar tones are low with plenty of fuzz, playing in more of a Stoner style. You will find yourself slowly headbanging along to this release, maybe even sparking some herbage. (or go hardcore and drink an Arnold Palmer like in my case)

Vocals come of in a much more “hardcore” style than usually seen in this genre. There is also a little bit of clean singing sprinkled in here and there that actually works really well on this recording.This along with the underlying atmosphere Veilcaste manages to craft some weill written and structured songs.

All in all, it’s not a bad listen and feels like a nice palate cleanser to the extreme music that I usually punish my ear holes with.I have always been more of a speed freak when it comes to my music but Veilcaste may be one of those bands that will leave me venturing out and seeking out more bands in the Doom and Sludge Metal genres.

 

Posted on by

LUST WITCH – We All Die Alone – REVIEW

 

Lust Witch’s deput, We All Die Alone, is four  tracks of murky and sludgy doom crawling out from the depths of Indianapolis. Interestingly enough, the 4 song titles are taken from the words in the album title with “We,” being the first track and so on. With that thought process in mind, this album is meant to be enjoyed as a complete listen.  Each track melds into the next. Don’t put this one on shuffle.

“We,” starts off softly with an eerie tone coupled with some creepy chants in the background. Lust Witch slowly build up the temp and intensity into the second track, “All.” The tones are a little harsher and the sense of dread still hangs thick in the air. With “Die,” the longest track on the recording, Lust Witch continues with more vocal work and more thick and chunky riffs. Throughout the first 3 tracks you can really sense that Lust Witch is building to something.

“Alone,” closes things out starting with some thick and nasty bass grooves and trench deep guitar tones. As the song title would suggest, “Alone,” has an unshakable depressing feeling of isolation and loneliness and despair. Everything your blackened little heart wants from a Doom EP.

 

Posted on by

BLASTED HEATH – Vela – REVIEW

 

Black Thrash Space Metal. Those 4 words could sum up Blasted Heath’s debut album, Vela, perfectly. Its as raw and vicious as the great unknown. This group from the far reaches of Indianapolis blend dirty punk riffs with a savage death metal edge. The vocals have an eerie production effect that amplifies the reverb giving it an empty feeling that works well for their “outer space” theme they are going for.

At first glance, this album sounds almost like an homage to some early pioneers of the Black Metal sound such as punk speed and foulness of Venom and the empty darkness of Bathory. “Big Chill,” opens the album up with some nasty dark riffs and echos that match the vocals.

While the first track may feel like an homage, there is plenty going on in this recording. No 2 songs sound alike. Blasted Heath seem to love delivering a variety of styles. Besides the pummeling Blackened Thrash, Blasted Heath includes plenty of slower Doom and Sludge like elements that give the album a more psychedelic and haunting feeling.  “The Wind in Vela,” is an instrumental mostly somber track except for some entrancing sound bites about the real life horrors of interstellar space.

The album closes with the 7 minute epic, “Strange Matter,” that perfectly blends the moodiness, eeriness and thrashing foulness into one song. This is definitely one of those types of albums you need to spin a few times until you “get it.”

Posted on by

VELICASTE/TUSK – Split – REVIEW

This split is so jam packed full of thick and murky sludge material that it is highly recommended that you put on a good pair of rain boots and a chest wader before diving into this release. Veilcastle and Tusk each contributed 3 tracks of full of doom, dark atmosphere and despair.

Veilcastle opens the split with “Dust and Bone,” a dark and warm track with some clean deep and massive vocals. “Mirrors,” has a strong groovy and stoner metal vibe with deep grooves that plod along. Their final contribution to this split is a cover of The Misfit’s “Return of the Fly”, which is an interesting choice. They manage to take the original punk classic, cover it in a thick sludge and turn it into a much more haunting take than the original.

Tusk take over on the second half of the split with a more sinister take on the genre. The vocals have a much more sinister feel that deliver an all together darker sound. Their first track “Disquiet,” benefits from the use of keyboards and synths for a truly darkened and uneasily feeling. “Entering the Flesh,” offers some clean vocals into the mix for a slightly less heavy track but still manages to pack plenty of atmosphere. A cover of Cannibal Corpse’s “Festering in the Crypt,” closes things out. Tusk’s vocal delivery is sinister here and their murky approach to the song does justice to the original.

 

 

Posted on by

MAGNATOR – Crushed – REVIEW

We continue the Sludgecore assault this month with the impressive debut album from “Four piece Amplifier Sadists” out of Manchester, New Hampshire, Magnator.  With a heavy nod to the large soundscape sounds of Neurosis and a heap load of groove and a few twists and turns into elements of Black Metal, Magnator have a lot going on with their sound. Thankfully, it’s never a unharmonious change instead everything is pumped out fluidly.

Throughout the album, Magnator has a ton of heavy, crushing riffs and murky bass lines that create the perfect atmospheric listening experience between calm and chaos. The intro bass to “Loving You Was Killing Me,” pulls you in instantly.  John Funk’s drum work keep a steady and powerful groove while the vocals range from soft to harsh for the perfect dramatic feeling.

Magnator’s mellow stoner sound shines on the title track, “Crushed.” The almost eerie and dreamlike sound comes across calm and aggressive at the same time. The vocals have an interesting layered effect that works well here. The riffs here are perfectly balanced. Bonus points for the perfect balance of synth added to this track; it hits just right.