Tag: brutal death metal

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A LA CARTE – Born to Entertain – REVIEW

 

I’m not a big turkey guy when it comes to Thanksgiving. Sure, I’ll savory some on the day but for me the real stars of the meal are the abundant offering of side dishes available. Among my favorites are mashed potatoes, green bean casserole and cranberry sauce (but only if it retains its traditional dog food can shape.)

If A La Carte’s new album is any indication, I will be trying a few new sides this year. “Ashtray Souffle,” “Chamber Pot Pie,” and “Maxi Pad Thai,” are just a few of the scrumptious options available on their latest release, Born to Entertain. 

A La Carte out of Lima, Ohio accurately describes itself as “Brutal gruesome food porn with a beat.” Beyond the humorous gimmick is an incredible band that has already upped their game from their debut album, Soup Dejour. Opening with the title track, A La Carte waste no time with thunderous beats, devilish dual vocals, some killer riffs.

The sound bites are the perfect palate cleanser as you move on to the next dish (or track). While the song titles and lyrics are goofy and fun don’t let that cause you to sleep on the band’s incredible musicianship as the songs are incredibly technical and savage. The dual vocals really up the game from their previous release. “Chamber Pot Pie “is one of the best offerings from this meal.

There are also plenty of good ol’ monster and caveman riffs to keep even the most jaded Death Metal fans happy. These cannibalistic cooks certainly know their way around a recording studio just as well as they know their way around a kitchen. Born to Entertain does just that and you will find yourself going back for seconds (and thirds).

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MUTILATED BY ZOMBIES – Scenes From the Afterlife – REVIEW

 

This recent heatwave that has been going on for the last month leaves me not wanting to leave this house. Luckily Mutilation by Zombies’s new album melts my face without even having to step one foot out my door.

The dastardly trio pack an inhuman amount of tight riffs, crushing vocals and swirling tempos in one convenient little  package. These group from Iowa can get a lot more sound with less compared to another certain Iowain band with 37 members.

This is everything you ever loving black heart wants in a good ol’ Death Metal album. Disgusting album art on the outside, sick and twisted tales of horror inside. With tracks such as the neck snapping, “Headcount Rising,” to the spooky and hauntingly somber, “Reincarnate,” what’s not to love?

Scenes from the Aftterlife perfectly melds several types of Death Metal to keep from growing stale. There are plenty of grooves alongside some savage technical passages to keep your skull rattling. If you are looking for more breakdowns and beatdowns they got you covered too.

For my money, “Molten,” is a complete banger of a song. Awesome grooves, crunchy riffs and plenty of pissed of energy to share. Crank this one up to 11 and scorch the neighborhood.

 

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SUFFER, Gristle, Bruised Spots & Trimmed Fat – REVIEW

 

South Dakota’s Suffer was formed way back in 1989. The members were only teenagers at the time but where still able to boast themselves as pioneers of the early Brutal Death Metal movement. Admittedly I had never heard of Suffer prior to checking out this EP. I quickly learned that I need to correct this mistake.

While the band never really enjoyed the attention other extreme bands enjoyed in the 90s, Suffer has plenty left to prove with this EP. Opening track, “Human Primal Cuts,” is a brutal monster. The riffs are hard as hell but they still leave plenty of melody with the guitar solos. The vocals go hard and are right on par with Carcass. That’s a huge plus in my book. Speaking of Carcass, the lyrics are sick, twisted and foul. Suffer may not have released a proper album in over 20 years but they sure haven’t lost any of their brutality in any of that time.

With only 3 new songs on this EP it’s enough to whet your appetite for the next album. Thankfully Suffer isn’t going to make us “Suffer,” (sorry) and wait too long for their next release. Their next full length album, Grand Canvas of Aesthete, is coming out this year. You can preorder the upcoming album at Wise Blood Records  starting 1/29/23.

In the meantime, I’m going to check out the rest of Suffer’s discography.

 

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A LA CARTE – Soup Dejour – REVIEW

Alright. Here’s a new Metal genre for y’all. Culinary Metal.

This is one of those few albums that come out and every now and then that really surprise you. The album cover instantly grabbed my attention with its morbid and cartoonish style. I had never heard any mention of this Death Metal/Grind band before this review. I wasn’t too sure as what to expect. Quickly reading the song titles, “Aborted Eggs Benedict,” “Rancid Risotto,” and “Heinous Hassenpfeffer,” I knew I was in for something truly different and fun.

A La Carte’s debut full length is equally impressive in both terms of music technicality and heaping servings of darkened humor. After working in a kitchen as a young Metalhead, I can really appreciate the band’s theme, morbid songs about preparing and serving food. To top things and come full circle the band performs their live shows wearing maitre d’ outfits. Just when you thought you’ve seen and heard it all in Metal.

Most “gimmick” bands spend too much time on the gimmick and not enough time on the music itself. A La Carte satisfyingly serve up some good tunes. I actually thought this might have been a side project for some more seasoned scene musicians! The band does a great job mixing in elements of Grindcore, Technical and Brutal Metal into some face melting music. One moment they are playing a soft Castlevania feeling melody and the next they are bringing a savage beatdown on your senses.

This a solid album that has no business being this good. If I was still working in the kitchen, these tunes would be blasting on my prep station. I only wish I had heard this album earlier as it totally would have made it into my top release list for 2022.

Dig in!

 

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LETULARIUS – Parasitic Subjugation – REVIEW

 

Lectularius bills itself as a “Brutal parasitic Death Metal from Dayton, Ohio.” This is a pretty apt description. When you stop to think about, bed bugs are fucking brutal and metal as hell. They feast on your blood as you sleep, multiply alarmingly fast, are seemingly impossible to kill and always return just like any good movie villain. It’s a surprise metal bands don’t sing about parasites as much. The name of the album, “Parasitic Subjugation,” is the perfect title to describe the type of music that’s in store with plenty of horrific tales of disgusting and terrifying minute blood suckers. The voice overs that introduce the songs are a nice touch and just as horrifying as the songs themselves. 

 

Parasitic Subjugation is a treat for fans of old school brutal Death Metal. Plenty of crunchy, heavy riffs, deep guttural vocals and screams pound their sound into your skull. The group also manages to add a touch of Grindcore to mix things up. There are only 5 songs on this release, but each song varies enough to warrant several replays. Hopefully the world gets it’s shit together as this would be a cool act to catch live. This a classic no frills unapologetic Brutal Death Metal album that may leave double checking your bed for unexpected visitors before turning off the lights