The first thing that struck me with this EP, is the savage artwork. It’s both clean and vicious. The same can be said for Omnifariam’s musical output in their latest offering, The Suffering. This is pure Death Metal with intense guttural vocals and hammering drums with a super clean and tight production.
According to their bio on Bandcamp, Omnifariam are one of the heaviest acts in Puerto Rico. Judging from their opening track, “Deceivers of the Bleak,” they easily have a case. It’s a powerful barrage of intense riffs, and savage growls. “Leaders of the Dark,” starts off a little slower allowing you a chance to catch your breath with a tight groove. The pace soon picks up into frenzy of killer riffs.
The drumwork on “Enslaved,” is intense and manic. Josean Orta (Fit for an Autopsy) puts on an absolute clinic here. “The Outsiders,” slows the pace down as it gives more focus on the vocals. The track has a much more melancholy feel with as the vocals cry out in more of a raspy filled desperation.
If slower tracks aren’t your bag, don’t fret. “Dehumanized,” ends the EP speeds things back up for a strong finish. All in all a great listen full of clean and savage Death Metal.
If your life is anything like mine, it’s a mad rush of things you need to do before the end of the year holidays. You may find it difficult to take time to stop and smell the coffee (sorry, not sorry) or check out any new tunes.
Pre-Human Vaults has your listening needs covered in their short and densely packed 4 song EP, Allegiance Divine. If you are looking for a last minute gift for your Metalhead friend who has everything, Pre-Human Vault’s brutal Death Metal and Thrash stylings are sure to impress even the most jaded headbanger.
The EP opens up with the aptly named, “Whirlwind Reaper.” With plenty of Djent styled chugging, the track is a monster of a beat down. The vocals are equally as intense and merciless. There is plenty of groove included as well that helps balance the total chaos happening in this track.
“Close to all, Next to Nothing,” starts out a little softer and includes some great galloping melodies and some cool solo fills. The extra layering of some synths is a nice touch. “When the Trap is Set,” adds some more synths that can be felt for the duration of the song, giving it a really creepy vibe. Some more “heroic” feeling guitar melodies are added in given the song a real “epic battle” sort of feel.
The amazing vocal work and pummeling guitars guide this EP into the essential listening category that will leave you battered, broken and looking for more.
Lust Witch’s deput, We All Die Alone, is four tracks of murky and sludgy doom crawling out from the depths of Indianapolis. Interestingly enough, the 4 song titles are taken from the words in the album title with “We,” being the first track and so on. With that thought process in mind, this album is meant to be enjoyed as a complete listen. Each track melds into the next. Don’t put this one on shuffle.
“We,” starts off softly with an eerie tone coupled with some creepy chants in the background. Lust Witch slowly build up the temp and intensity into the second track, “All.” The tones are a little harsher and the sense of dread still hangs thick in the air. With “Die,” the longest track on the recording, Lust Witch continues with more vocal work and more thick and chunky riffs. Throughout the first 3 tracks you can really sense that Lust Witch is building to something.
“Alone,” closes things out starting with some thick and nasty bass grooves and trench deep guitar tones. As the song title would suggest, “Alone,” has an unshakable depressing feeling of isolation and loneliness and despair. Everything your blackened little heart wants from a Doom EP.
Dark Funeral are currently halfway through their extremely successful North American tour with extreme metal titans Cannibal Corpse, Immolation and relative newcomers, Black Anvil. The fans showed up in full force with this string of shows with many of the dates selling out and the rest with very few tickets remaining.
The Cincinnati show which took place at Bogart’s, one of the city’s longest running music venues wasn’t sold out but it sure felt like it. People were packed and crammed into the tiny venue excited to witness a night of killer metal. Black Anvil started the evening off early and did an incredible job. I was both surprised and impressed. I had not heard any of their material before checking them out live and will definitely seek them out in the future. Immolation’s set was brutal as fuck as usual for an Immolation show. Headliners Cannibal Corpse proved that they are still one of the finest live Death Metal acts around even after all of these years.
Seeing Dark Funeral live for the first time was amazing. Immediately upon entering the stage, their presence and energy could be felt throughout the entire venue. From the first note of the opening song, “Unchain my Soul,” the crowd was totally captivated by their performance until the end of the set closing track, “Where Shadows Forever Reign.” It was crazy to think that another band had to follow this killer performance. (In fact, I was so worn out I left towards the end of Cannibal’s set)
Before the gig, I had a chance to sit down with Heljarmadr, Dark Funeral and GRA’s vocalist. Despite his extremely intimidating stage presence, he is a very thoughtful and accommodating person off stage. I don’t think I would have had the balls to speak with him in his stage gear!
Trve Kvlt Coffee: Thanks so much for taking the time to chat with me before the show. Just to start things off, how has the tour been going so far?
Heljarmadr: So far so good I think. Turnout has been awesome. All the bands are performing excellent; it has been a pleasure to watch them all. I think it’s rolling strong. Very strong. There have been a lot of sold out shows.
TKC: That’s what I was going to say. There has been a few sold out shows
H: More sold out shows coming up too.
TKC: That’s awesome. I was at a Cannibal Corpse show earlier this year and a lot of their shows were selling out. I think that was in March. Everyone was so hungry to see shows again after COVID shut downs. How does it feel to be touring again?
H: After 2 years of silence, you can imagine. It’s like being constipated for 2 years and you finally get the shit out. It’s the only way I can describe it properly. You’re really, really hungry and you finally get that pizza.
TKC: Just a big relief now?
H: Yeah. It’s a different world we are coming back to that’s for sure. I mean with inflation and everything. Everything is extremely expensive. Flights are insane but it is what it is. I mean we are back on that road and have to be very glad about that.
TKC: When you are on the road, what do you do with some of your down time? I’ve seen some of your Instagram pictures, what do you look to do in the cities you are in when you have a chance?
H: Actually, I try to do as much as possible. Just before now we had a soundcheck and then I went for a quick run because it’s so warm out. I try to stay fit and see as much as we can.
TKC: This area has changed so much, I wish I had some recommendations for things to check out but I don’t even know what’s around here anymore.
H: It’s still one of those days where I have a lot of administration to do and don’t have much time to do stuff anyway. The first thing I do is, I Google what there is to do in the town. Recommendations, Atlas Obscura, do you know about it? It’s like a website with weird places. They have an app and website, in a new town that’s the coolest website to checkout because it’s weird shit. This town has the world’s biggest stamp and an abandoned railroad. That’s what we try to do as much as possible. Sitting on the bus is a waste of time. We are trying to get out, especially when the weather is as nice as this, it’s amazing to be out.
TKC: I’ve been listening to a lot of We are the Apocalypse. Which is fucking awesome! I wanted to ask about the song, “Let the Devil in,” We did some of the inspiration come from the lyrics?
H: Inspiration comes from everything and it kind of mounds down into a song. It’s kind of an introvert song. I mean looking into yourself and taking control of yourself or letting go, you know? You can do either or. In life you always have choices. You can let the devil in or you can let the devil out. That’s kind of where I’m going with it.
TKC: It was one of those songs where the lyrics just hit write as I was working at my computer today.
H: Yeah. He’s riding on the shadow of my soul, you know? This is how my eyes see the world. It’s like we all have our little angel and demon on our shoulders. They see things differently depending on what mood you are seeing things through. Which eyes you see it through.
TKC: Another song I really dig is “Nosferatu.” You have the song referring more to the original film.
H: Oh yes! The 1922 film. I watched it during the Pandemic actually. I had this weird idea. So I have a lot of time and I’m going to watch Dracula themed movies from oldest to newest and there are lots of them. So I had to make a selection obviously. I started with the first one and nothing measured up after that. Everything became this romantic crap but the first one had a darkness. It’s out of this world, this feeling from that movie. Maybe it’s the fact it’s mute, maybe it’s the fact it’s black and white, everyone that’s in this movie has been dead for a long time, you know? It’s really like an old book but it’s a movie. It’s kind of cool that it’s 100 years old.
TKC: It’s so hard to find a complete copy and find one with the correct original score. I recently heard they are once again going to be releasing a remake.
H: I saw that too with the Swedish guy.
TKC: What do you think of that?
H: Why not? Actually the second best Dracula movie rendition was from a couple years back. It was a 3 episode series or something like that. (Note:This series is named Dracula and is currently streaming on Netflix) A different take for example is the classic movie from the 90’s, Bram’s Stoker’s Dracula, that one was not so good. I don’t think it aged so well. Too gothic for me. But this new one was quite interesting. Some interesting takes on it.
TKC: Nice. I’m going to have to check that series out. You’re working on a new album and when that’s coming out?
H: Well the album is done already. We are just waiting because post Pandemic the world has changed as you’ve said. So the vinyl pressing companies are slow as fuck. Or jammed as fuck. Sometimes it’s even hard to get a hold of material. We decided instead of gambling and getting the CD version and maybe people have to wait to get the vinyl, we decided to postpone and the album will be out in mid January. And that is for sure when the vinyl will be available.
TKC: You also have your solo act as well. I was listening to that last night, which was great. I loved the video (watch below). You have a full album coming out?
H: Yes. It’s being planned to be recorded next year. We’ll see whenever it’s released. We are also negotiating some record deals for that album too. So it’s a work in progress. The drummer for that project will be Dennis Ekdahl from Thyrfing. So we are working together so this can come out next year.
TKC: Awesome! With all of that I have to ask, Do you ever sleep?
H: (laughs) I don’t know, I’m a very restless person. Sitting still is not my thing, you know? Maybe I’m like this shark that has to swim or otherwise I’d drown or something. I like to keep occupied and I like to keep active. I don’t know, I’m just that kind of person.
TKC: I totally feel it myself. I just finished my full time day job before coming here and I’m always grinding and looking for something to do. Again going back to your Instagram stories from the road, I love the picture with the Rocky statue in Philly.
H: Oh yeah! I mean, why not?
TKC: I would have done the same thing. Any spots in the US that you are looking forward to seeing?
H: Well the thing is when we came here we all flew into New York and we had a couple of days before the first show. So we rented a car together and just went sightseeing all the way down to Baltimore. We went to DC to check out the Lincoln statue, those things. That’s something I had really looked forward to seeing. I’ve never been to Washington before and it’s an iconic place that you’ve seen in movies since you were a kid.
TKC: I haven’t been there myself yet.
H: It’s definitely worth seeing. I don’t know what to do there for more than 1 day. In 1 day you will be very overwhelmed and impressed. It’s an impressive thing to see, you get all of the Forrest Gump references. Aside from that I don’t know if there is anything on the radar. I try not to plan too much ahead because you never know what days are gonna be like. You have other things to do like administration or something is broken. I don’t want to be disappointed so I take it day by day. Of course I’m usually thinking a couple days ahead but I try to take it slow.
TKC: You gotta be careful with shows right now. Someone gets sick and that cancels a few dates or the bus breaks down.
H: Someone gets sick, the bus breaks down and you’re stuck somewhere. It happened not the last time we were here but the time before when we were touring with Septicflesh. The bus broke down, so we went to the nearest airport, rented a car and a Uhaul. So we were touring and hitting hotels every night. So that was like an adventure. I’ll never forget that, I’m from a small Swedish town and I was driving my car in Chicago. I think that was kinda cool.
TKC: Definitely different from driving in a small town.
H: I was also driving in DC, I’m not afraid of driving anymore. Nothing can scare me.
TKC: I think that’s all I had for you today. Anything that you would like to add?
H: Thanks to everyone for coming out to the shows, the turnout is awesome and thank you for this interview.
Well the concludes this interview. Be sure to check out Dark Funeral’s newest release “We Are The Apocalypse” and Grá’s newest music video(below) for “Flame of Hephaestus” from their upcoming 4th album “Lycaon”
Here’s some suggested content to check out that is relevant to Heljarmadr:
Alright! Here’s some pure 100% Norwegian Black Metal, something here at Trve Kvlt Coffee that is close to our little blackened hearts. Why many newer bands claim to have a “True Norwegian Black Metal,” sound, they often fall short or miss the mark entirely. Thankfully, Likhelm delivers on this promise. Likelm’s debut EP is a welcome recording full of plenty of all school raw black metal tones, haunting atmospheres and unlike most traditional black metal, some very clean and slick production.
The tracks are vicious with blistering tremlo guitars with shrieks and guttural vocals amongst somber and haunting backgrounds. Spoken vocals are included as well. Likhelm keeps the atmosphere to a minimum instead relying on a satisfying raw and unforgiving experience. The closing track, “Stormen,” is an absolute banger that takes advantage of all these elements. If you dig early Immortal and Mayhem, this one can’t be missed.
We continue the Sludgecore assault this month with the impressive debut album from “Four piece Amplifier Sadists” out of Manchester, New Hampshire, Magnator. With a heavy nod to the large soundscape sounds of Neurosis and a heap load of groove and a few twists and turns into elements of Black Metal, Magnator have a lot going on with their sound. Thankfully, it’s never a unharmonious change instead everything is pumped out fluidly.
Throughout the album, Magnator has a ton of heavy, crushing riffs and murky bass lines that create the perfect atmospheric listening experience between calm and chaos. The intro bass to “Loving You Was Killing Me,” pulls you in instantly. John Funk’s drum work keep a steady and powerful groove while the vocals range from soft to harsh for the perfect dramatic feeling.
Magnator’s mellow stoner sound shines on the title track, “Crushed.” The almost eerie and dreamlike sound comes across calm and aggressive at the same time. The vocals have an interesting layered effect that works well here. The riffs here are perfectly balanced. Bonus points for the perfect balance of synth added to this track; it hits just right.
Bulletbelt may be best known for their thunderous theme track to the incredible 2015 metalhead themed horror flick, Deathgasam. Flash forward 5 years and a new lead singer, this New Zealand based group is still angry and out for blood on their 4th album.
Bulletbelt does an excellent job here switching from straight blitzkreig thrash insanity to black metal bleakness with plenty of melody throughout. The album is full of heavy and catchy hooks and complex passages nicely presented with some slick and smooth production. New vocalist, Paul Roberts’s screeching vocals work well with the filth and fury presented here.
“Blade on Fire,” starts out with a killer punk inspired riffs complete with a 70s fuzzy tone then transitions to a much more thrash feel. The next song, “Flames of Hell,” goes back more into the black metal territory with plenty of tasty riffs and great song structure. This is where Bulletbelt really shines; the melding of different styles and harmonies in such a smooth transition that it feels natural.
“Warlords “isn’t your standard blackened thrash album. There is so much to unpack here, it’s brutal as fuck in parts, eerie and dark in others and includes too many incredible riffs to keep track of. Hopefully we can get these lads to the states soon as touring has become possible again. These songs are begging to be witnessed live.
Thlurm bills itself as, “Metal Punk from the dungeons of Indiana,” which is quite an accurate description for their contribution to this month’s subscription. “The Thlurm Must Die and Dungeon Scum,” is part of Wise BloodRecords demo series that highlights up and coming and promising new artists. This recording, combining 2 separate demos is raw and punk as fuck, covered in chunky layers of pure filth.
” Instantly you hear influences of Toxic Holocaust and Midnight and like those bands, Thlurm is a solo product brought to you by Austin Sipes. Thlurm though has a much more punk and grind approach to their style. Songs come in fast and filthy with a certain unpolished charm that is comparable to early Napalm Death. This recording reeks of the lo-fi production of the the mid to late 80’s.
The vocals are sick, the guitars have more of a punk then metal feel and the while the drumming does not include any blast beats, the first demo, “The Thlum Must Die,” is some killer Grindcore. “Disease,” is punk rock kick to the jaw and the following track, “Imaginary Hell,” is a straight up banger that reminds me of Ghoul.
The second demo, “Dungeon Scum,” is much more raw in sound than the first. This half shows more of a Black Metal influence which can be felt the most on “Serpent Master.” “Illusions of Chaos,” and “Human Waste,” even slow things down a bit with even adds more of a haunting vocal feel.
For a demo release, Thlurm are already a band to watch.
If you haven’t been hip to Hell Night yet, now is the time to correct that mistake. The band had several 7’s and singles throughout their career and released their first full length in 2019, “Unlimited Destruction.” The title fits perfectly as this recording is full of enough hard hitting guitars, pummeling drums and vicious vocals to level a city. Brian Fair replaced original vocalist Mike Craft for “Unlimited Destruction,” taking the sound further with even more fury than before.
Hell Night have a hardcore/metal/punk approach filled with pure aggression that comes in part from Andy White’s brutal and murky guitar work that perfectly compliments Brian Fair’s pissed off vocals. While their exact genre of music is difficult to pinpoint, their ability to write killer riffs and songs that may a mosh pit to break out in your living room is without question.
For even more details regarding this album check out our recent interview with Brian Fair.
For the last couple of years, Night Demon have kept the traditional Heavy Metal flag flying high with their incredible and distinct retro inspired style. “Darkness Remains ” was released back in 2017 and if you haven’t gotten into this power trio from California yet, this album will serve as a perfect introduction to the band. If you are a fan of the more classic years of Metal with Judas Priest, Iron Maiden and Diamond Head, you will find much to bang your head to on “Darkness Remains.”
In the last 10 years or so there have been plenty of bands that perform classic styles of Heavy Metal, Thrash or Death Metal. So many that we may need yet another Metal genre (Retro Metal?) Night Demon, however, may be the absolute best when it comes to capturing the feel. Songs like “Black Widow,” and “Life on the Run,” will have you feel like you just stepped out of a DeLorean into 1985.
This feeling comes from Night Demon’s incredible song writing. There are tons of killer riffs and melodies that will get your head banging and memorable choruses that are guaranteed to get stuck in your head. There is plenty to love here from the technical guitar work to the vocals that blend in perfectly to each song. If you are looking to give your ears a break from extreme metal but still listen to something that is gonna kick your ass, give this one a spin.
© Tomasz Podgorny
